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This developed into A Gathering of Spirit (1988) where it, at first, was published in 1984 in Sinister Wisdom and then was reissued as a book many times. [1] [2] It was the first anthology of Native American's women writing edited by another Native American woman. Her success continued with publication of Mohawk Trail in 1985. This is a ...
Galatea 2.2 is a 1995 pseudo-autobiographical novel by American writer Richard Powers and a contemporary reworking of the Pygmalion myth. [1] The book's narrator shares the same name as Powers, with the book referencing events and books in the author's life while mentioning other events that may or may not be based upon Powers' life.
"Buffalo Gals, Won't You Come Out Tonight" is a science fiction novelette by American writer Ursula K. Le Guin, originally published in the November 1987 issue of The Magazine of Fantasy & Science Fiction and collected in Buffalo Gals and Other Animal Presences (1987). [1]
Adalbert von Chamisso in 1831. Frauen-Liebe und Leben (A Woman's Love and Life) is a cycle of poems by Adelbert von Chamisso, written in 1830.They describe the course of a woman's love for her man, from her point of view, from first meeting through marriage to his death, and after.
The Life of an Amorous Woman introduces the first-person narrator, and the main character is an old woman who reflects on her past in the form of a confession addressed to those who are willing to listen. [5] She is successively wife, court lady, courtesan, priest's concubine, mistress of a feudal lord, and streetwalker.
The book became popular, making the New York Times Best Seller list. The sense of suspense in the novel comes from whether Nick Dunne is responsible for the disappearance of his wife Amy. Critics acclaimed the book for its use of unreliable narration, plot twists, and suspense.
On TODAY Oct. 9, some of the wives, fiancées and girlfriends of players for the San Francisco 49ers talked about what life is like with a professional athlete. “I have a really hard time sleeping.
The book received moderate praise in three reviews at the time of its publication, [1] but was largely forgotten until a wider interest in women's writing in the period brought it to the attention of scholars; it was brought back into print in 2008. [2]