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A. File:A false start.jpg; File:A Hornbook for Witches (cover art).jpg; File:A Light in the Attic cover.jpg; File:A Useless Death - Patti Smith.jpg; File:A-writing ...
James said the cover came easily for him after reading the poem. He drew inspiration from the attitude of the boy narrator at the end of the book, [3] and his goal for the cover was to evoke fine art or even photographs. [3] [11] After doing thumbnail drawings, James painted with oils on illustration board. [11]
The spine of the book is an important aspect in book design, especially in the cover design. When the books are stacked up or stored in a shelf, the details on the spine is the only visible surface that contains the information about the book. In a book store, it is often the details on the spine that attract the attention first.
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Children's literature portal; Falling Up is a 1996 poetry collection primarily for children written and illustrated by Shel Silverstein [1] and published by HarperCollins.It is the third poetry collection published by Silverstein, following Where the Sidewalk Ends (1974) and A Light in the Attic (1981), and the final one to be published during his lifetime, as he died just three years after ...
Violet Bent Backwards over the Grass is the debut book by American singer-songwriter Lana Del Rey.The poetry collection, featuring over 19 original poems, 10 haikus and photography, [2] including "13 longer poems" and several short pieces, is Del Rey's first published work and was released by Simon & Schuster on September 29, 2020.
Citizen: An American Lyric is a 2014 book-length poem [1] and a series of lyric essays by American poet Claudia Rankine. Citizen stretches the conventions of traditional lyric poetry by interweaving several forms of text and media into a collective portrait of racial relations in the United States. [2]
Front cover, designed by Alan Spain, of the original UK paperback edition of the anthology The Mersey Sound.. The Mersey Sound is an anthology of poems by Liverpool poets Roger McGough, Brian Patten and Adrian Henri first published in 1967, when it launched the poets into "considerable acclaim and critical fame". [1]
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