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A Handbook of Greek Vase Painting. Sparks, NV: Falcon Hill Press, 1995. Mitchell, Alexandre G. Greek Vase-Painting and the Origins of Visual Humour. New York: Cambridge University Press, 2009. Noble, Joseph Veach. The Techniques of Painted Attic Pottery. New York: Watson-Guptill, 1965. Oakley, John Howard. The Greek Vase: Art of the Storyteller ...
Epiktetos was an Attic vase painter in the early red-figure style. Besides Oltos, he was the most important painter of the Pioneer Group. He was active between 520 BCE and 490 BCE. His name translates as "newly acquired", which is most probably a reference to his slave status. [1]
He mainly painted symposion scenes and images from Greek mythology. The latter are dominated by depictions of Herakles, the amazons, Atlas and Prometheus. The latter two figures occur together on a single vase. [1] Apart from figural painting, he also ascribed vases bearing merely ornamental decoration. His drawing style is precise and lively.
Meanders are common decorative elements in Greek and Roman art. In ancient Greece they appear in many architectural friezes, and in bands on the pottery of ancient Greece from the Geometric period onward. The design is common to the present-day in classicizing architecture, and is adopted frequently as a decorative motif for borders for many ...
Our idea of what the best Greek painting was like must be drawn from a careful consideration of parallels in vase-painting, late Greco-Roman copies in mosaic and fresco, some very late examples of actual painting in the Greek tradition, and the ancient literature. [103] There were several interconnected traditions of painting in ancient Greece.
Geometric art is a phase of Greek art, characterized largely by geometric motifs in vase painting, that flourished towards the end of the Greek Dark Ages and a little later, c. 900–700 BC. [1] Its center was in Athens , and from there the style spread among the trading cities of the Aegean . [ 2 ]
The Marsyas Painter was an ancient Greek vase painter of the red-figure style active in Attica between 370 and 340/330 BC. The Marsyas Painter is sometimes considered the best of the Attic red-figure painters of the late 4th-century Kerch Style.
A few surviving vases were labelled with their names in antiquity; these included a hydria depicted on the François Vase and a kylix that declares, “I am the decorated kylix of lovely Phito” (BM, B450). Vases in use are sometimes depicted in paintings on vases, which can help scholars interpret written descriptions.
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