Search results
Results from the WOW.Com Content Network
Film stock made of nitrate, acetate, or polyester bases is the traditional medium for capturing the numerous frames of a motion picture, widely used until the emergence of digital film in the late 20th century. film theory film transition film treatment filmmaking. Sometimes used interchangeably with film production.
Main page; Contents; Current events; Random article; About Wikipedia; Contact us
Pages in category "Film and video terminology" The following 200 pages are in this category, out of approximately 278 total. This list may not reflect recent changes .
Film studies as an academic discipline emerged in the 20th century, decades after the invention of motion pictures.Rather than focusing on the technical aspects of film production, film studies are concentrated on film theory, which approaches film critically as an art, and the writing of film historiography.
The Martin Secker & Warburg Ltd-published first edition—the 600-page Biographical Dictionary of Cinema [1] —was followed by Biographical Dictionary of Film, published by William Morrow & Co in June, 1980; [12] the third, entitled A Biographical Dictionary of Film, was released on November 17, 1994, by Andre Deutsch Ltd; 328 pages longer than the first edition, it added 200 new entries ...
Film theory is a set of scholarly approaches within the academic discipline of film or cinema studies that began in the 1920s by questioning the formal essential attributes of motion pictures; [1] and that now provides conceptual frameworks for understanding film's relationship to reality, the other arts, individual viewers, and society at large. [2]
Formalist film theory is an approach to film theory that is focused on the formal or technical elements of a film: i.e., the lighting, scoring, sound and set design, use of color, shot composition, and editing. This approach was proposed by Hugo Münsterberg, Rudolf Arnheim, Sergei Eisenstein, and Béla Balázs. [1]
The editors of filmsite.org argue that animation, pornographic film, documentary film, silent film and so on are non-genre-based film categories. [ 40 ] Linda Williams argues that horror, melodrama, and pornography all fall into the category of "body genres" since they are each designed to elicit physical reactions on the part of viewers.