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A major theme of science fiction and of speculative biology is to convey a message of optimism or pessimism according to the author's worldview. [5] [6] Whereas optimistic visions of technological progress are common enough in hard science fiction, pessimistic views of the future of humanity are far more usual in fiction based on biology. [4]
The geneticist Dan Koboldt observes that while science and technology play major roles in fiction, from fantasy and science fiction to thrillers, the representation of science in both literature and film is often unrealistic. [28] In Koboldt's view, genetics in fiction is frequently oversimplified, and some myths are common and need to be debunked.
All women have evolved to be beautiful, in an illustration by Paul Merwart for a 1911 edition of Camille Flammarion's 1894 novel La Fin du Monde.. Evolution has been an important theme in fiction, including speculative evolution in science fiction, since the late 19th century, though it began before Charles Darwin's time, and reflects progressionist and Lamarckist views as well as Darwin's. [1]
Speculative evolution is a subgenre of science fiction and an artistic movement focused on hypothetical scenarios in the evolution of life, and a significant form of fictional biology. [1] It is also known as speculative biology [2] and it is referred to as speculative zoology [3] in regards to hypothetical animals. [1]
These include intentionally disgusting [2] alien monsters in science fiction films, often with analogues in nature. Authors and scriptwriters have, to some extent, exploited parasite biology: lifestyles including parasitoid, behaviour-altering parasite, brood parasite, parasitic castrator, and many forms of vampire are found in books and films.
Biopunk (a portmanteau of "biotechnology" or "biology" and "punk") is a subgenre of science fiction that focuses on biotechnology. It is derived from cyberpunk, but focuses on the implications of biotechnology rather than mechanical cyberware and information technology. [1] Biopunk is concerned with synthetic biology.
Defining “science fiction” (so that one can say, definitively, this book is a sci-fi book) is a little like defining “spiritual” or some other vague belief category that includes so many ...
Climate change—science fiction dealing with effects of anthropogenic climate change and global warming at the end of the Holocene era; Megacity; Pastoral science fiction—science fiction set in rural, bucolic, or agrarian worlds, either on Earth or on Earth-like planets, in which advanced technologies are downplayed. Seasteading and ocean ...