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This is a list of audio productions based on spin offs from the long-running British science fiction television series Doctor Who produced by Big Finish Productions, released under the title The Worlds of Doctor Who. [1]
In 2005, six of the audio dramas featuring Paul McGann as the Eighth Doctor were broadcast on the digital radio station BBC 7: Storm Warning, Sword of Orion, The Stones of Venice, Invaders from Mars, Shada (originally created for webcast on the BBC's online service), and The Chimes of Midnight.
Doctor Who is a British science fiction television programme produced by the BBC.Having ceased broadcasting in 1989, it resumed in 2005.The 2005 revival traded the earlier multi-episode serial format of the original series for a run of self-contained episodes, interspersed with occasional multi-part stories and structured into loose story arcs.
The title sequences for Doctor Who were the starfield versions and were used from The Leisure Hive until the end of The Trial of a Time Lord. For 1987's Time and the Rani, Oliver Elmes designed the titles. [2] Sutton also provided the cover designs for the earliest BBC VHS Video Doctor Who releases, including The Seeds of Death and Day of the ...
For those looking to watch Doctor Who from the Modern era starting in 2005 (a.k.a. beginning with Chris Eccleston portraying the Ninth Doctor), they can view those episodes on Max.
In 1999, beginning with the story The Sirens of Time, Big Finish Productions began producing a series of audio adventures featuring the Fifth Doctor, Sixth Doctor and Seventh Doctor. For 22 years these stories continued collectively known as Big Finish's Main Range .
The redesigned Doctor Who title card for series 8. The introduction of a new lead actor brought about another change to the title sequence. The sequence for Series 8 was inspired by a fan-made sequence produced by Billy Hanshaw, an illustrator and 3D animator from Leeds, who posted it on YouTube. This eventually came to the attention of Steven ...
The Time Vortex in the title sequence was also tinted blue and green. [43] The interior of the TARDIS was redesigned starting with the Christmas special, [44] [45] which also featured a new title sequence that, for the first time since the end of Season 26 in 1989, showed the Doctor's face, together with a new orchestration of the theme tune. [46]