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Morrison Hotel is the fifth studio album by American rock band the Doors, released on February 9, 1970, by Elektra Records.After the use of brass and string arrangements recommended by producer Paul A. Rothchild on their previous album, The Soft Parade (1969), the Doors returned to their blues rock style and this album was largely seen as a return to form for the band.
G: ^ Canadian chart positions for live albums are as follows: Absolutely Live, [55] Alive, She Cried, [56] Live at The Hollywood Bowl. [ 57 ] H : ^ Canadian chart positions for compilation albums are as follows: 13 , [ 58 ] Weird Scenes Inside the Goldmine , [ 59 ] The Doors Greatest Hits , [ 60 ] The Doors: Original Soundtrack Recording .
Live in New York is a six-disc box set of four complete concerts performed American rock band the Doors on January 17 and 18, 1970 at the Felt Forum in New York City. [3] Two shows were played each night, with 8:00pm and 11:00pm scheduled start times on January 17, and 7:30pm and 10:00pm scheduled start times on January 18.
The Doors: No One Here Gets Out Alive (2001) Final 24: Jim Morrison (2007), The Biography Channel [234] When You're Strange (2009), Won the Grammy Award for Best Long Form Video in 2011. Rock Poet: Jim Morrison (2010) [235] Morrison's Mustang – A Vision Quest to Find The Blue Lady (2011, in production) Mr. Mojo Risin': The Story of L.A. Woman ...
For the first time on a Doors album, all the songs on The Soft Parade had individual songwriter credits. [3] Previously, all songs had been credited to the entire group. This change was instigated by Jim Morrison , who did not want to be held responsible for the lyrics of "Tell All the People", which includes a line encouraging listeners to ...
Backstage and Dangerous: The Private Rehearsal is a live album by the American rock band the Doors.It was recorded during a private rehearsal at the Aquarius Theatre in Hollywood on July 22, 1969, except "Jazzy Maggie M'Gill" (Disc 2 tracks 10 & 11) that was recorded during the concert soundcheck on July 21, 1969.
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The lyrics also reference Redding's song "(Sittin' On) The Dock of the Bay."[7] Music critic Bart Testa found it ironic that this Doors song was extolling "The Dock of the Bay", which for Redding was a place of defeat and "where he wasted time having found the struggle for life useless", when earlier Doors songs such as "The End" and "When the Music's Over" call vehemently for revolution. [7]