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In San Juan, Puerto Rico, Madison Taylor (Nicky Whelan) is injured when she's caught in the crossfire of two corrupt cops, Pierce and Tull (Texas Battle).. Madison wakes up in a hospital and as a witness of one of their vicious crimes, she’s placed under the protection of respected police lieutenant Steve Wakes (Bruce Willis).
The Trauma Code: Heroes on Call (Korean: 중증외상센터) is a 2025 South Korean medical comedy television series written by Choi Tae-kang, directed by Lee Do-yoon, and starring Ju Ji-hoon, Choo Young-woo, Ha Young, Yoon Kyung-ho, and Jung Jae-kwang.
Willis at the 61st Academy Awards (1989) With President George H. W. Bush (1992) At a Hasty Pudding Theatricals ceremony in 2002 Brigadier General Albert Bryant Jr. (left) meets with Willis (right) in Iraq (2003) Being presented his star on the Hollywood Walk of Fame in 2006 Willis hugging Sylvester Stallone in 2010 Willis with Helen Mirren at the 2010 San Diego Comic-Con for Red Willis' star ...
On review aggregator website Rotten Tomatoes, the film has an approval rating of 34% based on 171 reviews and an average score of 4.90/10. The website's critical consensus reads, "Welcome to Marwen has dazzling effects and a sadly compelling story, but the movie's disjointed feel and clumsy screenplay make this invitation easy to decline."
A set of props used in the production of the Saw films, which are notorious for depicting extreme graphic violence. Extreme cinema (or hardcore horror and extreme horror [1] [2]) is a subgenre used for films distinguished by its use of excessive sex and violence, and depiction of extreme acts such as mutilation and torture.
Trauma is a 1993 Italian horror film [1] directed by Dario Argento and starring Asia Argento, Christopher Rydell, Piper Laurie, and Frederic Forrest. Set in Minneapolis, Minnesota , it follows a troubled teenage girl who, with the help of a boyfriend, attempts to stop a serial killer who murdered her parents.
On Rotten Tomatoes the film holds an approval rating of 13% based on 16 reviews and an average rating of 3.8/10. [9] On Metacritic the film has a weighted average score of 26 out of 100, based on four critics, indicating "generally unfavorable reviews".
John Anderson of the Wall Street Journal praised the film, stating that it effectively establishes the ongoing relevance of its subject matter. Anderson highlights that the film, with lawyerly caution, demonstrates how the industry in which Cartisano was a pioneer continues to flourish and has never been very closely scrutinized. [6]