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Period (two four-bar phrases) in Beethoven's Piano Sonata in C Minor, Op. 13 (Pathetique), second movement. Play ⓘ Second phrase built from new material, "gives the effect of greater freedom of melodic thought." [2] In music theory, the term period refers to forms of repetition and contrast between adjacent small-scale formal structures such ...
Also "bar": the period of a musical piece that encompasses a complete cycle of the time signature (e.g. in 4 4 time, a measure has four quarter note beats) medesimo tempo Same tempo, despite changes of time signature medley Piece composed from parts of existing pieces, usually three, played one after another, sometimes overlapping. melancolico ...
Musical phrasing is the method by which a musician shapes a sequence of notes in a passage of music to allow expression, much like when speaking English a phrase may be written identically but may be spoken differently, and is named for the interpretation of small units of time known as phrases (half of a period).
Meter animates time in regular pulse groupings, called measures or bars, which in Western classical, popular, and traditional music often group notes in sets of two (e.g., 2/4 time), three (e.g., 3/4 time, also known as Waltz time, or 3/8 time), or four (e.g., 4/4 time). Meters are made easier to hear because songs and pieces often (but not ...
A movement is a self-contained part of a musical composition or musical form. While individual or selected movements from a composition are sometimes performed separately as stand-alone pieces, a performance of the complete work requires all the movements to be performed in succession.
Title page of Franz Rigler's "Three Rondos" (1790) First page of the manuscript for Mozart's Adagio and Rondo for glass harmonica, flute, oboe, viola and cello. The rondo is a musical form that contains a principal theme (sometimes called the "refrain") which alternates with one or more contrasting themes, generally called "episodes", but also occasionally referred to as "digressions" or ...
The six-part fugue in the "Ricercar a 6" from The Musical Offering, in the hand of Johann Sebastian BachIn classical music, a fugue (/ f juː ɡ /, from Latin fuga, meaning "flight" or "escape" [1]) is a contrapuntal, polyphonic compositional technique in two or more voices, built on a subject (a musical theme) that is introduced at the beginning in imitation (repetition at different pitches ...
Alla breve / cut time This symbol represents 2 2 time—two beats per measure with a half-note representing one beat. Metronome mark This notation is used to precisely define the tempo of the music by assigning an absolute duration to each beat. This example indicates a tempo of 120 quarter notes (crotchets) per minute.