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Irrealism is a term that has been used by various writers in the fields of philosophy, literature, and art to denote specific modes of unreality and/or the problems in concretely defining reality. While in philosophy the term specifically refers to a position put forward by the American philosopher Nelson Goodman , in literature and art it ...
Literary realism is a literary genre, part of the broader realism in arts, that attempts to represent subject-matter truthfully, avoiding speculative fiction and supernatural elements. It originated with the realist art movement that began with mid- nineteenth-century French literature ( Stendhal ) and Russian literature ( Alexander Pushkin ...
Samuel Taylor Coleridge, a philosopher and poet known for his influence on English literature, coined the turn-of-phrase and elaborated upon it.. Suspension of disbelief is the avoidance—often described as willing—of critical thinking and logic in understanding something that is unreal (or impossible) in reality, such as something in a work of speculative fiction, in order to believe it ...
Wilde presents the essay as a Socratic dialogue between two characters, Vivian and Cyril, who are named after his own sons. [1] Their conversation, while playful and whimsical, promotes Wilde's view of Aestheticism over Realism. [2] [3] Vivian tells Cyril of an article he has been writing called "The Decay of Lying: A Protest". According to ...
Realism in the Balance" (German: Es geht um den Realismus) is a 1938 essay by Georg Lukács written while he lived in Soviet Russia and first published in a German literary journal. In it, he defends the "traditional" realism of authors like Thomas Mann in the face of rising Modernist movements, such as Expressionism , Surrealism , and Naturalism .
Many scholars view this connection between the reader and character as a mark of realism. For example, Janet Todd writes that "Austen creates an illusion of realism in her texts, partly through readerly identification with the characters and partly through rounded characters, who have a history and a memory."
Hysterical realism [1] is a term coined in 2000 by English critic James Wood to describe what he sees as a literary genre typified by a strong contrast between elaborately absurd prose, plotting, or characterization, on the one hand, and careful, detailed investigations of real, specific social phenomena on the other.
In analytic philosophy, anti-realism is the position that the truth of a statement rests on its demonstrability through internal logic mechanisms, such as the context principle or intuitionistic logic, in direct opposition to the realist notion that the truth of a statement rests on its correspondence to an external, independent reality. [1]