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This print from the Ravi Varma Press derived from a painting by Raja Ravi Varma follows the iconographic description of Saraswati as found in the 50th chapter of the Agni Purana. She is described in the Agni Purana as being attired in white and playing the Veena with two arms and holding an aksha-mala (a string of pearls) and a pustaka (book ...
•Maa Sharda Mandir, Maihar in Madhya Pradesh •In her as Brahmani , additional Sarasvati temples can be found throughout Gujarat, Himachal Pradesh, Rajasthan, and Uttar Pradesh. • Jnaneswari peeth in Karki village of coastal Karnataka also houses a temple dedicated to Sarasvati, where she is known as Jnaneshwari.
Shri Narasimha Saraswati [3] (birth name - Shaligramadeva or Narhari) lived from 1378 to 1459 (Shaka 1300 to Shaka 1380). [4] Saraswati was born into a Deshastha Brahmin family in Karanjapura, modern-day Lad-Karanja (Karanja) in the Washim district , which is a part of Vidarbha region of Maharashtra , India . [ 5 ]
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The goddess is depicted yellow in colour with four heads and four(or six) arms. Like Brahma, she holds a japamala, a kamandalu (water pot), a lotus stalk, bells, vedas and the trident while she is seated on a hamsa (identified with a swan or goose) as her vahana (mount or vehicle).
Mahasarasvati is described to be the slayer of Shumba in the Devi Bhagavata Purana, suggesting that she has little to do with Saraswati. [7] Mahalakshmi is the prosperity aspect of Devi. She has two forms, Vishnu-priya Lakshmi and Rajyalakshmi. The former is the embodiment of chastity and virtuousness. The latter goes about courting kings.
She wears a crown made of 5 skulls connected with plates of bone. Eight forms of Tara are attested in the Māyātantra quoted in the tantric compendium Tantrasāra and the names are Ekajaṭa, Ugra-Tara, Mahogra, Kameshvari-Tara, Chamunda, Nila-Sarasvati (Neelasaraswati or 'Blue Saraswati'), Vajra-Tara and Bhadrakali. [8]