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Download QR code; Print/export Download as PDF; ... Kwaito/Hip hop: ... They mainly consist of Kwaito music. Yizo Yizo
Kwaito is a music genre that emerged in Soweto, Johannesburg, South Africa, between the late 1980s and 1990s.It is a variant of house music that features the use of African sounds and samples.
Mandoza's music tried to "put a more constructive message into kwaito." [ 10 ] Originally, Mandoza did not like the kwaito style, because of its lack of a message and tendency to focus on dancing and pleasure rather than on the plethora of social problems that exist in South Africa, even after apartheid ended in 1994.
Trompies is a South African music group formed in 1995 who specialise in kwaito music. The members Spikiri, Mahoota, Donald Duck, Jakarumba & Mjokes grew up together in the Soweto township and agreed to form a band after they had all completed their music studies in college. [2]
Boom Shaka was a pioneering South African kwaito music group consisting of Junior Sokhela, Lebo Mathosa, Theo Nhlengethwa and Thembi Seete.They released their first single "It's About Time" in 1993, [1] and subsequently released their debut LP, titled "Kwere Kwere" in 1994. [2]
TKZee is a South African kwaito music group formed in 1990s by three school friends, Tokollo Tshabalala, Kabelo Mabalane, and Zwai Bala. [1] The group shot to prominence in late 1997 and early 1998 with their chart-topping singles "Palafala" and "Shibobo". [2] 1996 their debut EP was released titled Take It Easy, but did not sell well. [3]
Bongo Maffin is a South African kwaito music group, formed by Zimbabwe-born DJ Jah Seed in Johannesburg in 1996. [1] They released their first studio album, Leaders of D’Gong (1997), [2] followed by The Concerto (1998), Bongolution (2001), and New Construction (2005).
The kwaito genre is the most popular and successful music genre in Namibia. It's believed to be the biggest industry in Namibia's music and the only that is heavily supported by the youth. This is so because of socio-economic issues, as many artists enter the music industry with hopes of strengthening self-employment and making a living out of it.
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