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La Philosophie aujourd'hui; La philosophie de l'art; Goethe; Les chemins du labyrinthe; Qu'est-Ce Que Le Beau; Goethe, science et philosophie; Le "Voyage en Italie" de Goethe; La philosophie au XXème siècle. Introduction à la pensée. philosophique. contemporaine. Essai et textes, Paris, Hatier, 1988
While The Logic of Sensation is sometimes viewed as a work of art history, Deleuze's wrote that the primary motivation for creating the work was to explore the philosophy of art. He also sought to explore the conceptualization of art beyond the representation of an image. The text was translated into English by Daniel W. Smith in 2003. [2]
La Psychologie de l'Art (The Psychology of Art) is a work of art history by André Malraux. The book offers an explication of Malraux's philosophy of art via the history of Western painting . It was originally published in three volumes: The Imaginary Museum (1947); The Artistic Creation (1948); and Aftermath of the Absolute (1949).
What is Philosophy? (French: Qu'est-ce que la philosophie ?) is a 1991 book by the philosopher Gilles Deleuze and the psychoanalyst Félix Guattari.The two had met shortly after May 1968 and collaborated most notably on Capitalism & Schizophrenia (Volume 1: Anti-Oedipus (1972); Volume 2: A Thousand Plateaus 1980) and Kafka: Towards a Minority Literature (1975).
Gilles Louis René Deleuze (/ d ə ˈ l uː z / də-LOOZ; French: [ʒil dəløz]; 18 January 1925 – 4 November 1995) was a French philosopher who, from the early 1950s until his death in 1995, wrote on philosophy, literature, film, and fine art.
Spinoza: Practical Philosophy (French: Spinoza: Philosophie pratique) (1970; second edition 1981) is a book written by French philosopher Gilles Deleuze which examines Baruch Spinoza's philosophy, discussing Ethics (1677) and other works such as the Tractatus Theologico-Politicus (1670), providing a lengthy chapter defining Spinoza's main concepts in dictionary form.
In 1996, she defended her thesis entitled Théorie de l’art et philosophie de la sociabilité selon Shaftesbury (Theory of Art and Philosophy of Sociability according to Shaftesbury), at Paris Nanterre University with Geneviève Brykman, her thesis director, [5] Didier Deleule, Jean-Paul Larthomas, Michel Malherbe, and Pierre-François Moreau.
Repetition, for Deleuze, can only describe a unique series of things or events. The Borges story, in which Pierre Menard reproduces the exact text of Miguel de Cervantes's Don Quixote, is a quintessential repetition: the repetition of Cervantes' work by Menard takes on a magical quality by virtue of its translation into a different time and ...