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Sunflowers (original title, in French: Tournesols) is the title of two series of still life paintings by the Dutch painter Vincent van Gogh. The first series, executed in Paris in 1887, depicts the flowers lying on the ground, while the second set, made a year later in Arles , shows a bouquet of sunflowers in a vase.
Mount Sunflower is located on private land owned by Ed and Cindy Harold, who encourage visitors to the site. Amenities include a picnic table, a little free library, a sunflower sculpture made from railroad spikes, and a plaque on the site stating, "On this site in 1897, nothing happened." Additionally, there is a mailbox on the site with a ...
This Halloween 2024, use these printable pumpkin stencils and free, easy carving patterns for the scariest, silliest, most unique, and cutest jack-o’-lanterns. These 55 Printable Pumpkin ...
Mount maker welding together a new mount. A mount maker is responsible for the creation of structures called object mounts used to provide unobtrusive physical support, stability, and security of objects while on display, in storage, or being transported to museums, art galleries, libraries, archives, botanical gardens or other cultural institutions.
Sunflowers is an oil-on-canvas painting by the German-Danish painter Emil Nolde, created in 1926. It was the first in a series of sunflower paintings, and also the first of more than fifty oil paintings on the same subject in Nolde's work. The sunflowers where a prominent motif among his flower paintings.
The disk of a sunflower is made up of many little flowers. The ray flowers here are dried In North Carolina A sunflower seed growing. Sunflowers are usually tall annual or perennial plants that in some species can grow to a height of 300 centimetres (120 inches) or more.
In the picture framing industry, a mat (or matte, or mount in British English) is a thin, flat piece of paper-based material included within a picture frame, which serves as additional decoration and to perform several other, more practical functions, such as separating the art from the glass.