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The Scottsboro Boys is a musical with a book by David Thompson, music by John Kander and lyrics by Fred Ebb. Based on the Scottsboro Boys trial, the musical is one of the last collaborations between Kander and Ebb prior to the latter's death.
John Kander and Fred Ebb were introduced by their mutual music publisher Tommy Valando in 1962. Kander and Ebb met at Ebb's apartment and decided to test their compatibility as writing partners with a "mock title song" for a musical comedy already running on Broadway, a Hal Prince production called Take Her, She's Mine. [1]
IV-V-I-vi chord progression in C major: 4: Major I–V–vi–IV: I–V–vi–IV chord progression in C: 4: Major I–IV– ♭ VII–IV I–IV– ♭ VII–IV. 3: Mix. ii–V–I progression
List of musical chords Name Chord on C Sound # of p.c.-Forte # p.c. #s Quality Augmented chord: Play ...
Huddie William Ledbetter (/ ˈ h j uː d i / HYOO-dee; January 1888 [1] [2] or 1889 [3] – December 6, 1949), [1] better known by the stage name Lead Belly, was an American folk and blues singer notable for his strong vocals, virtuosity on the twelve-string guitar, and the folk standards he introduced, including his renditions of "In the Pines", "Pick a Bale of Cotton", "Goodnight, Irene ...
The same device is used again in the recapitulation; this time the sidestep is—as one would expect—to F major, the tonic key of the whole Symphony. [citation needed] The interrupted cadence is also frequently used in popular music. For example, the Pink Floyd song "Bring the Boys Back Home" ends with such a cadence (at approximately 0:45–50).
The ILD defended Sacco and Vanzetti, was active in the anti-lynching, movements for civil rights, and prominently participated in the defense and legal appeals in the cause célèbre of the Scottsboro Boys in the early 1930s. Its work contributed to the appeal of the Communist Party among African Americans in the South.
Major/minor compositions are musical compositions that begin in a major key and end in a minor key (generally the parallel minor), specifying the keynote (as C major/minor).). This is a very unusual form in tonal music, [1] [2] although examples became more common in the nineteenth century