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France and the Portrait, 1799-1870, Harvard University Art Museums, Cambridge, 12/03/1994 - 01/29/2002 A Private Passion: 19th-Century Paintings and Drawings from the Grenville L. Winthrop Collection, Harvard University, Musée des Beaux-Arts de Lyon, Lyon, 03/15/2003 - 05/26/2003; National Gallery, London, 06/25/2003 - 09/14/2003; The ...
The Portrait of Napoleon III was first shown at the 1862 Universal Exhibition in London, on donation from the Emperor. Flandrin's painting was a standout wherever it was exhibited: the Universal Exhibition, Paris Salon (1863), at the Paris Ecole des Beaux-Arts (1864), and the Paris Exposition universelle (1867). [3]
National Gallery of Art, Washington D.C. The Three Women of Gand: 1812 oil on canvas 132 × 105 Louvre Museum, Paris Portrait of Madame David: 1813 oil on canvas 73 × 60 National Gallery of Art, Washington D.C. Apelles Painting Campaspe in the Presence of Alexander the Great: 1814 oil on canvas 96.5 × 136 Palais des Beaux-Arts de Lille, Lille ...
Napoleon I at Fontainebleau on March 31, 1814; Napoleon I on His Imperial Throne; Napoleon in Imperial Costume; Napoleon in the Wilderness; Napoleon Leading the Army over the Alps; Napoleon on the Battlefield of Eylau; Napoleon on the Bellerophon; Napoleon Receiving the Queen of Prussia at Tilsit; Napoleon's Return from Elba (painting) Napoleon ...
The Wedding of Napoleon and Marie Louise (French: Mariage de Napoléon Ier et de Marie-Louise) is an 1810 history painting by the French artist Georges Rouget. It depicts the wedding ceremony between Napoleon , Emperor of France and Marie Louise the daughter of the Austrian Emperor Francis I .
Portrait of Napoleon II is an 1819 portrait painting by the British artist Thomas Lawrence depicting Napoleon II, the young son of the deposed French Emperor Napoleon and his wife Marie Louise, a member of the Austrian royal family. [1]
The Emperor Napoleon in His Study at the Tuileries (1812), exhibiting the hand-in-waistcoat gesture. The hand-in-waistcoat (also referred to as hand-inside-vest, hand-in-jacket, hand-held-in, or hidden hand) is a gesture commonly found in portraiture during the 18th and 19th centuries. The pose appeared by the 1750s to indicate leadership in a ...
Engraving of Robert Lefèvre's Portrait of Napoleon in his coronation costume, engraving in the treatise by the Pausanias français. The painting shows Napoleon as emperor, in the costume he wore for his coronation, seated on a circular-backed throne with armrests adorned with ivory balls. In his right hand, he holds the scepter of Charlemagne ...
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