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A floral diagram is a graphic representation of the structure of a flower. It shows the number of floral organs, their arrangement and fusion. Different parts of the flower are represented by their respective symbols. Floral diagrams are useful for flower identification or can help in understanding angiosperm evolution.
Diagram of flower parts. In botany, floral morphology is the study of the diversity of forms and structures presented by the flower, which, by definition, is a branch of limited growth that bears the modified leaves responsible for reproduction and protection of the gametes, called floral pieces. [note 1]
The formalised flower motif is often carved in stone or wood to create decorative ornaments for architecture and furniture, and in metalworking, jewelry design and the applied arts to form a decorative border or at the intersection of two materials. Rosette decorations have been used for formal military awards.
Floral diagramming is a method used to graphically describe a flower. In the context of floral diagramming, the floral axis represents the center point around which the diagram is oriented. [3] The floral axis can also be referred to as the receptacle in floral diagrams or when describing the structure of the flower. [4]
Floral formulae are one of the two ways of describing flower structure developed during the 19th century, the other being floral diagrams. [2] The format of floral formulae differs according to the tastes of particular authors and periods, yet they tend to convey the same information. [1] A floral formula is often used along with a floral diagram.
Receptacle – the end of the pedicel that joins to the flower were the different parts of the flower are joined; also called the torus. In Asteraceae, the top of the pedicel upon which the flowers are joined. Seed – Sepal – Antipetalous – when the stamens number the same as, and are arranged opposite, the corolla segments; e.g. Primula.
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The name "Flower of Life" is given to the overlapping circles pattern in New Age publications. Of special interest is the hexafoil or six-petal rosette derived from the "seven overlapping circles" pattern, also known as " Sun of the Alps " from its frequent use in alpine folk art in the 17th and 18th century.
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