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"The Lady from the Sea" is a 1953 episode of Sunday Night Theatre that is significant as one of the earliest extant examples of British television drama, along with an earlier episode of the series titled "It is Midnight, Doctor Schweitzer" and the first two episodes of The Quatermass Experiment. [1]
The Lady from the Sea (Norwegian: Fruen fra havet) is a play written in 1888 by Norwegian playwright Henrik Ibsen inspired by the ballad Agnete og Havmanden. [1] The drama introduces the character of Hilde Wangel who is again portrayed in Ibsen's later play The Master Builder .
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The Lady from the Sea is a play written in 1888 by Henrik Ibsen. The Lady from the Sea or Lady from the Sea may also refer to: The Lady from the Sea, by Castleton Knight; The Lady from the Sea, by William Sterling; The Lady from the Sea, a 1911 film by Lucius J. Henderson; The Lady from the Sea, a 1916 film by Raymond B. West
Cairbre starts the final battle by killing Fionn's servant Ferdia, and the armies meet at Gabhair for the final confrontation. The fianna's greatest warrior, Fionn's grandson Oscar (the son of Oisín), slays Cairbre, but dies of his wounds, thereby sealing the fianna's fate. In some versions, Fionn himself is slain by Aichlech while he weeps ...
Cairbre (Cairpre, Coirpre) is a name of historical significance in medieval Irish culture, attributed to various figures in both mythology and history. Some notable individuals associated with the name include: Cairbre, son of Ogma, celebrated as a poet and satirist among the Tuatha Dé Danann; Cairbre Nia Fer, a legendary king of Tara
Cairbre Nia Fer (also Corpri, Coirpre, Cairpre; Nioth Fer, Niafer, Niaper), son of Rus Ruad, was, according to medieval Irish legend and historical tradition, a King of Tara from the Laigin. [ 1 ] The earliest reference to Cairbre is in Tírechán 's Memoir of St. Patrick , a 7th-century Latin text found in the Book of Armagh .
The Lady from the Sea is a 1929 sound part-talkie British romance film directed by Castleton Knight and starring Ray Milland, Mona Goya, and Moore Marriott. [1] In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles.