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This is a list of Gibson brand of stringed musical instruments, mainly guitars, manufactured by Gibson, alphabetically by category then alphabetically by product (lowest numbers first). The list excludes other Gibson brands such as Epiphone.
The Gibson G-3 was a bass guitar by Gibson building on the design of the Gibson Grabber.. Introduced in 1975 as a companion to the Gibson Grabber, the G-3 (which stands for Grabber 3) introduced a new pickup scheme to the already established body style.
Mesa-Boogie Mark IV, a guitar combo amplifier. A guitar amplifier (or amp) is an electronic device or system that strengthens the electrical signal from a pickup on an electric guitar, bass guitar, or acoustic guitar so that it can produce sound through one or more loudspeakers, which are typically housed in a wooden cabinet.
Kalamazoo is the name for two different lines of instruments produced by Gibson.In both cases Kalamazoo was a budget brand. The first consisted of such instruments as archtop, flat top and lap steel guitars, banjos, and mandolins made between 1933 and 1942, and the second, from 1965 to 1970, had solid-body electric and bass guitars.
Lover's most famous humbucker design was the P.A.F. (Patent Applied For) designed while working for Gibson in 1955. This pickup was utilized in a range of Gibson guitars, most notably the Les Paul model. Before Lover, electric guitarists were forced to cope with the 60-cycle hum received by single coil pickups. It was in the mid-'50s, while ...
The RD series (guitar and bass) was the result of Gibson's desire to tap into the developing synthesizer market, which was thought to have taken customers away from guitars. [3] The series had longer scale lengths : The guitars came in 25½ " , which is more commonly found on most Fender guitars and the many instruments inspired by them, as ...
The Fender Bandmaster Reverb amp, for example, had built-in reverb and vibrato. Built-in effects may offer the user less control than standalone pedals or rackmounted units. For example, on some lower- to mid-priced bass amplifiers , the only control on the audio compression effect is a button or switch to turn it on or off, or a single knob.
An unbalanced ¼" (Tip-Sleeve) phone connector is typically used for the output, which is connected to the guitar amp rig. Some re-amping devices offer a pad (attenuator) switch to reduce a too-hot output level. Sometimes a guitar volume pedal or buffered effects pedal can work adequately for re-amping, depending on grounding, levels, and ...
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