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Once the film was developed it was sliced down the middle and the ends attached, giving 50-foot (15 m) of Standard 8 film from a spool of 25-foot (7.6 m) of 16 mm film. 16 mm cameras, mechanically similar to the smaller format models, were also used in home movie making but were more usually the tools of semi professional film and news film makers.
A digital movie camera for digital cinematography is a motion picture camera that captures footage digitally rather than physical film, known as film stock. Different digital movie cameras output a variety of different acquisition formats. Cameras designed for domestic use have also been used for low-budget independent productions. Since the ...
Loading film into a film camera is a manual process. The film, typically housed in a cartridge, is loaded into a designated slot in the camera. One end of the film strip, the film leader, is manually threaded onto a take-up spool. Once the back of the camera is closed, the film advance lever or knob is used to ensure the film is correctly placed.
Bahasa Indonesia; Русский ... Pages in category "Digital movie cameras" The following 45 pages are in this category, out of 45 total. ... One-shot film; P.
The Eyemo is a non-reflex camera: viewing while filming is through an optical viewfinder incorporated into the camera lid. Some models take one lens only. In 1929 there was the first three-port Eyemo, while the "spider model" features a rotating three-lens turret and a "focusing viewfinder" on the side opposite the optical viewfinder.
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Cinématographe Lumière at the Institut Lumière, France. Cinematograph or kinematograph is an early term for several types of motion picture film mechanisms. The name was used for movie cameras as well as film projectors, or for complete systems that also provided means to print films (such as the Cinématographe Lumière).
Arri Group (/ ˈ ær i /) (stylized as "ARRI") is a German manufacturer of motion picture film equipment. Based in Munich, the company was founded in 1917. [3] It produces professional motion picture cameras, lenses, lighting and post-production equipment. It is cited by Hermann Simon as an example of a "hidden champion". [4]