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The song's title derives from rapper Rick Ross ironizing about a rumor that Drake received plastic surgery on his abs and on his nose, using the slang term "BBL", [4] which is an acronym for Brazilian butt lift. [5] "BBL Drizzy" quickly went viral, generating more than 3.4 million streams on SoundCloud within a week. [6]
The song was produced by Tay Keith, Jake Fridkis, and Luh Ron. Both artists wrote it together; King Willonius is also credited as a songwriter as the song contains a sample of his 2024 song, "BBL Drizzy", which was created as a comedy diss towards Drake, who raps over the sample.
King Willonius, a little-known New York-based comedian, used AI tools to create “BBL Drizzy,” a pristine soul song that seemed to be unearthed from the 1970s and whose lyrics lightly mocked Drake.
Then, contemporary hip hop producer Metro Boomin’, eager to dunk on Drake, remixed the song and created the “BBL Drizzy” challenge, offering $10,000 and a free beat to the best lyricist.
This is an accepted version of this page This is the latest accepted revision, reviewed on 4 January 2025. Ongoing hip-hop feud Drake–Kendrick Lamar feud Drake in 2016 Lamar in 2018 Date March 22, 2024 – present (9 months, 1 week and 6 days) Medium Diss tracks Status Ongoing; several publications have labeled Lamar as the victor but the details are debated. Parties Drake J. Cole (until ...
Lyrics in the song are mainly aimed at Mitchell Johnson after his English teacher, Debbie Pelley, testified to the United States Senate Committee on Commerce, Science, and Transportation that lyrics from The Art of War as well as Tupac Shakur and Marilyn Manson inspired Mitchell to commit a school shooting. [74] [75] Mar 14, 1999 "Quiet Storm"
Deuces Wild is the thirty-fifth studio album by B.B. King released on November 4, 1997. Every song on the album features a second famous musician. Every song on the album features a second famous musician.
Rena Murakami of the Japanese culture site Real Sound characterizes the lyrics as "reminiscent of the execution of a king". [6] In a column for the lyrics search and music news site UtaTen , Amu Machioka characterized the song as an allegory for the house arrest, trial, and execution of Louis XVI (whom they interpreted as the titular King ...