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Samples of sans-serif typefaces Typeface name Example 1 Example 2 Example 3 Agency FB Designer: Caleigh Huber & Morris Fuller Benton Class: Geometric : Akzidenz-Grotesk Designer: Günter Gerhard Lange Class: Grotesque : Amplitude Designer: Christian Schwartz Class: Humanist : Andalé Sans Designer: Steve Matteson Class: Humanist : Antique Olive ...
Futura is a geometric sans-serif typeface designed by Paul Renner and released in 1927. [1] It was designed as a contribution on the New Frankfurt-project.It is based on geometric shapes, especially the circle, similar in spirit to the Bauhaus design style of the period.
Granby in medium weight on a specimen sheet. Granby is a sans-serif typeface designed and released by the Stephenson Blake type foundry of Sheffield from 1930. [1] [2]Granby is influenced by a contemporary British sans-serif design, the Johnston typeface or Railway Alphabet (1916), the proprietary face of what became London Underground, and Gill Sans (1928) which had recently been released and ...
Comic Sans Pro is an updated version of Comic Sans created by Terrance Weinzierl from Monotype Imaging. While retaining the original designs of the core characters, it expands the typeface by adding new italic variants, in addition to swashes, small capitals, extra ornaments and symbols including speech bubbles, onomatopoeia and dingbats, as well as text figures and other stylistic alternatives.
Samples of Monospaced typefaces Typeface name Example 1 Example 2 Example 3 Anonymous Pro [1] Bitstream Vera Sans Mono [2] Cascadia Code: Century Schoolbook Monospace: Comic Mono [3] Computer Modern Mono/Typewriter [4] Consolas Class: Humanist : Courier [5] Cousine: DejaVu Sans Mono: Droid Sans Mono [6] Envy Code R [7] Everson Mono [8 ...
Contrary to their current perception, in its early years, the Bauhaus school printed serif art nouveau typefaces. After some years of design work at the school, Herbert Bayer and Joost Schmidt created the more recognizable proposals—sans-serif geometric letterings, with decorative elements of the font removed for a crisp industrial style.
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With the rise of digital computing, variants of the Courier typeface were developed with features helpful in coding: larger punctuation marks, stronger distinctions between similar characters (such as the numeral 0 vs. the upper-case O and the numeral 1 vs. the lower-case L), sans-serif variants, and other features to provide increased legibility when viewed on screens.
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