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Her poetry also appears on boulders along the Vera Katz Eastbank Esplanade. Not unlike most Japanese women of her generation, Shizue rarely complained and showed little emotion. However, her poetry and the memoir she wrote while incarcerated in a concentration camp, shared the emotional pain and disappointment she felt as an immigrant Japanese ...
Discussing her first book Milk and Honey—a collection of poems that tackles tough themes such as rape, violence, alcoholism, trauma—Kaur described The Sun and Her Flowers as a grown-up version, that would be deeper and more emotional. [10]
The poem demonstrates most of the controversial themes for which Swinburne became notorious. It conflates the cruel yet libidinous pagan goddess figure of Dolores, the Lady of Pain with Mary, Mother of Jesus and associates the poem itself, through its parenthetical titular text (Notre-Dame des Sept Douleurs, i.e.,
"Porphyria's Lover" is a poem by Robert Browning which was first published as "Porphyria" in the January 1836 issue of Monthly Repository. [1] Browning later republished it in Dramatic Lyrics (1842) paired with "Johannes Agricola in Meditation" under the title "Madhouse Cells". The poem did not receive its definitive title until 1863.
Sappho 31 is a lyric poem by the Archaic Greek poet Sappho of the island of Lesbos. [a] The poem is also known as phainetai moi (φαίνεταί μοι lit. ' It seems to me ') after the opening words of its first line, and as the Ode to Anactoria, based on a conjecture that its subject is Anactoria, a woman mentioned elsewhere by Sappho.
Interpreting the text of the poem as a woman's lament, many of the text's central controversies bear a similarity to those around Wulf and Eadwacer.Although it is unclear whether the protagonist's tribulations proceed from relationships with multiple lovers or a single man, Stanley B. Greenfield, in his paper "The Wife's Lament Reconsidered," discredits the claim that the poem involves ...
The poem echoes Yeats' fascination with the Irish peasantry. Written in first person, the poem explains the difficult chores and struggles of an aged, unfortunate woman and her bitter resentment to the young children, whose worries of fondness and personal appearance pale to insignificance when compared to the toils of the old woman.
Other anthologies created new canons of women's writing from the past, such as Black sister: poetry by black American women, 1746-1980 (1981) edited by Erlene Stetson; or Writing Red: An Anthology of American Women Writers, 1930-1940 (1987) edited by Paula Rabinowitz and Charlotte Nekola. Such anthologies "established solid ground for the ...