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Dürer was born on 21 May 1471, the third child and second son of Albrecht Dürer the Elder and Barbara Holper, who married in 1467. [5] [6] Albrecht Dürer the Elder (originally Albrecht Ajtósi) was a successful goldsmith who by 1455 had moved to Nuremberg from Ajtós, near Gyula in Hungary. [7]
Location, Gallery, Collection (Inv. nr.) CR nr. Portrait of Dürer's Father diptych, right wing back side: Combined Coat of Arms of the Dürer and Holper Families: 1490 dm l w c [1] Oil on panel: 47.5 × 39.5 47 × 39: Florence, Uffizi (1086 (1890 post), 00286561) 2–3 Portrait of Barbara Dürer diptych, left wing back side:
Joachim and Anne Meeting at the Golden Gate is a 1504 woodcut by the German artist Albrecht Dürer that depicts the standard scene of Joachim and Anne Meeting at the Golden Gate. In the woodcut, the parents of the Virgin Mary , Joachim , and Anne meet at the Golden Gate of Jerusalem , upon learning that she will bear a child.
In 2010 the Hammer announced its inaugural biennial devoted exclusively to Los Angeles artists. [11] [12] Though the museum has routinely featured California artists as part of its ongoing exhibition program, the Made in L.A. series has emerged as an important and high-profile platform to showcase the diversity and energy of Los Angeles as an emerging art capitol.
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Melencolia I, Albrecht Dürer, engraving, 1514. The art historian Christa Grössinger described the drawing as the "most affecting of all" of Dürer's portraits. [9] David Price wrote of its "rough depiction of her flesh emaciated by old age", and "existential piety in the cast of Barbara Dürer's right eye, which, almost unnaturally, directs her vision heavenward."
Great Passion is a 1497–1510 series of eleven woodcuts plus a frontispiece by Albrecht Dürer. Its title distinguishes it from his later Small Passion . One of the best surviving sets is now in the Albertina in Vienna.
National Gallery, London Reverse image St. Jerome in the Wilderness is a double-sided oil painting on panel by the German Renaissance artist Albrecht Dürer , executed around 1496, now in the National Gallery in London, where both sides are displayed.
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