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The Nikkatsu Company conceived Take Aim at the Police Van as a borderless action film, a studio subgenre with internationalized characters and setting. Contract director Seijun Suzuki had previously worked mainly on pop song films, a youth subgenre in which the films were built around an already popular song, and yakuza films with an occasional film noir bent. [2]
Take Aim at the Police Van: 13号待避線より その護送車を狙え Jūsangō taihisen yori: Sono gosōsha o nerae: Sleep of the Beast: けものの眠り Kemono no nemuri: 0-Line Stowaway: 密航0ライン Mikkō zero rain: Everything Goes Wrong: すべてが狂ってる Subete ga kurutteru: Go to Hell, Hoodlums! くたばれ愚連隊
The police follow Tajima's advice to direct all three gangs to a warehouse on the seafront and corner them. Having succeeded in crippling violent crime, Tajima returns his gun and fake ID to the police captain and takes his now-girlfriend away on holiday past and through a rebuilding boom-era Japan, bypassing the detective bureau.
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He was shipwrecked twice throughout his military service; first the cargo ship that was to take him to the front was destroyed by an American submarine and he fled to the Philippines. Later, the freighter that took him to Taiwan sank after an attack by the American air force , and he spent 7 or 8 hours in the ocean before being rescued. [ 4 ]
Take Aim at the Police Van: Seijun Suzuki 1960 Japan [50] Targets: Peter Bogdanovich: 1968 United States [51] Taste of Fear: Seth Holt: 1961 United Kingdom [52] Thérèse Desqueyroux: Georges Franju 1962 France [26] They Shoot Horses, Don't They? Sydney Pollack 1969 United States [17] The Thief of Paris: Louis Malle 1967 France [26] The Third ...
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Near the end of credits we see Fred in the van seemingly masturbating. But then the police pull up next to the van and we then see Grace's head pop up and she explains that she is giving him a "flowjob" a fake blowjob. We see Stephen Merchant/Gary digging graves and one of the corpses pops up and scares him. Horrible Bosses: Bloopers are shown.