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The only way of expressing emotion in the form of art is by finding an "objective correlative"; in other words, a set of objects, a situation, a chain of events which shall be the formula of that particular emotion; such that when the external facts, which must terminate in sensory experience, are given, the emotion is immediately evoked.
Art tends to have a way to reach people's emotions on a deeper level and when creating art, it is a way for them to release the emotions they cannot otherwise express. There is a professional denomination within psychotherapy called art therapy or creative arts therapy in which deals with diverse ways of coping with emotions and other cognitive ...
The Little River Band has a song called "Cool Change", which contains the line: "Albatross and the Whale are my brother". Christian Emocore band mewithoutYou references the albatross in their song "Bear's Vision of St. Agnes". Nightwish refers to albatross in their song "The Islander". Owl City refers to the albatross in the song "Hello Seattle".
He is a ceramic artist whose work explores themes of emotional containment, monstrosity, and human connection through surreal and intricately crafted pieces.Shaner’s artwork acts as a metaphor ...
In much, if not all, of the world, artistic linguistic expression can be oral as well and include such genres as epic, legend, myth, ballad, other forms of oral poetry, and folktales. Comics, the combination of drawings or other visual arts with narrating literature, are called the "ninth art" (le neuvième art) in Francophone scholarship. [13]
Expressionism is a modernist movement, initially in poetry and painting, originating in Northern Europe around the beginning of the 20th century. Its typical trait is to present the world solely from a subjective perspective, distorting it radically for emotional effect in order to evoke moods or ideas.
Danielle Bradley and Ashling Graham say they have been let down by the justice system after their father's killer went on the run from prison once again [BBC]
Stella's work was a catalyst for the minimalist movement in the late 1950s; he stressed the properties of the materials he used in his paintings, disavowing any conception of art as a means of expressing emotion. [15]