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He was an influential educator and wrote widely on design and pattern. His Cantor Lectures on Ornamental Design for the RSA [ 2 ] (1886) led to a series of publications, including The Anatomy of Pattern (1887), The Planning of Ornament (1887), Pattern Design (1903), Ornament and its Application (1904), and Nature and Ornament (1908–9).
Design for a hand woodblock printed textile, showing the complexity of the blocks used to make repeating patterns in the later 19th century. Tulip and Willow by William Morris, 1873. Woodblock printing on textiles is the process of printing patterns on fabrics , typically linen , cotton , or silk , by means of carved wooden blocks.
Tulip and willow design for printed textiles (1873) William Morris (1834-1898), a founder of the British Arts and Crafts movement, sought to restore the prestige and methods of hand-made crafts, including textiles, in opposition to the 19th century tendency toward factory-produced textiles. With this goal in mind, he created his own workshop ...
Cartonnage of Nespanetjerenpere, ca. 945–718 BCE. Linen or papyrus mixed with plaster, pigment, glass, lapis lazuli, 69 11/16 in. (177 cm). Brooklyn Museum, 35.1265.. In a technique similar to papier-mâché, scraps of linen or papyrus were stuck together with plaster or resin and used to make mummy cases and masks. [3]
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Papyrus is not paper in the modern sense of the word, since it was formed from compressed sheets of reed stalks and not a pulp. Paper made from a pulped plant fiber can be credited to Ts’ai Lun of China in 105 A.D., when he first presented the Emperor with a sheet of paper made from the inner bark of a mulberry tree .
Parchment, using sheepskins left after the wool was removed for cloth, was sometimes cheaper than papyrus, which had to be imported from outside of Egypt. To save money on expensive papyrus, Egyptians would wash off and reuse it. [1] With the invention of wood-pulp paper, the cost of writing material began a steady decline.
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