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Garlanded bucrania on a frieze from the Samothrace temple complex Bucranium on the frieze of the Temple of Vespasian and Titus in Rome.. Bucranium (pl. bucrania; from Latin būcrānium, from Ancient Greek βουκράνιον (boukránion) 'ox's head', referring to the skull of an ox) was a form of carved decoration commonly used in Classical architecture.
For the Greeks, the bull was strongly linked to the Cretan Bull: Theseus of Athens had to capture the ancient sacred bull of Marathon (the "Marathonian bull") before he faced the Minotaur (Greek for "Bull of Minos"), who the Greeks imagined as a man with the head of a bull at the center of the labyrinth. Minotaur was fabled to be born of the ...
A Turk's head couped in the arms of the Hungarian town Komádi.. The heads of humans and other animals are frequently occurring charges in heraldry.The blazon, or heraldic description, usually states whether an animal's head is couped (as if cut off cleanly at the neck), erased (as if forcibly ripped from the body), or cabossed (turned affronté without any of the neck showing).
A bull A Charolais bull. A bull is an intact (i.e., not castrated) adult male of the species Bos taurus ().More muscular and aggressive than the females of the same species (i.e. cows proper), bulls have long been an important symbol in many religions, including for sacrifices.
Apis was the most popular of three great bull cults of ancient Egypt, the others being the cults of Mnevis and Buchis. All are related to the worship of Hathor or Bat, similar primary goddesses separated by region until unification that eventually merged as Hathor.
Bucranium, skull of sacrificed bull, was displayed in the temple of Diana. R: Sacrificing scene on the stone platform. Togate figure holding sprinkler is about to sacrifice bull, altar between them. A·POST·A·F S·N·(AL)BIN Silver serrate denarius struck by A. Postumius A.f. S.n. Albinus in Rome 81 BC.
Le Taureau. Le Taureau is a series of lithographs by Pablo Picasso made with the assistance of Fernand Mourlot from December 1945 to January 1946. [1] In his memoir Mourlot recalled that "in order to achieve his pure and linear rendering of the bull, he had to pass through all of the intermediary stages".
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