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Gold 20-stater of Eucratides I within a bead and reel border, 2nd century BC, Cabinet des Médailles, Paris Ancient Greek Ionic capital with bead and reel, from the Temple of Artemis Leukophryene at Magnesia on the Maeander, 2nd century BC, unknown type of stone, Pergamon Museum , Berlin
Morris's border and capital designs were very similar to his wallpaper designs, and were not illustrative of the texts they adorned. While medieval texts had delicate illuminations covering their margins, the wood engravings Morris made in imitation of them were very heavy, and created production problems in the Chaucer , requiring the hand ...
Diaper was particularly used in medieval stained glass to increase the vividness of a coloured pane, for example the field in a shield of arms. [1] A stone wall may be decorated with such a pattern sculpted in relief ; in brickwork the effect may be achieved by using bricks of different colours, or by allowing certain bricks to protrude from ...
Like most other illustrations in Flammarion's books, the engraving carries no attribution. Although sometimes referred to as a forgery or a hoax, Flammarion does not characterize the engraving as a medieval or renaissance woodcut, and the mistaken interpretation of the engraving as an older work did not occur until after Flammarion's death.
Curling acanthus-type leaves occur frequently in the borders and ornamented initial letters of illuminated manuscripts, and are commonly found in combination with palmettes in woven silk textiles. In the Renaissance classical models were followed closely, and the acanthus becomes recognisable again in large-scale architectural examples. The ...
In late medieval Europe, tapestry was the grandest and most expensive medium for figurative images in two dimensions, and despite the rapid rise in importance of painting it retained this position in the eyes of many Renaissance patrons until at least the end of the 16th century, if not beyond. [1]
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