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In 1895, Mucha produced the poster for Gismonda, a play starring Sarah Bernhardt. Bernhardt highly admired Mucha's work, commissioning a six-year contract with him. [1] The style employed in Gismonda, le style Mucha, became a sensation in Paris and became known as the Art Nouveau movement. [2] Following Gismonda, Mucha
Alfons Maria Mucha [1] [2] (Czech: [ˈalfons ˈmuxa] ⓘ; 24 July 1860 – 14 July 1939), [3] known internationally as Alphonse Mucha, was a Czech painter, illustrator, and graphic artist. Living in Paris during the Art Nouveau period, he was widely known for his distinctly stylized and decorative theatrical posters, particularly those of Sarah ...
Bernhardt signed him to a five-year contract, and, with each successive play and poster, his fame increased. Bernardt herself set aside a number of each new poster to sell them to collectors. Mucha was asked to produce posters for a variety of clients, from travel resorts to winemakers.
Alphonse Mucha poster for Lorenzaccio starring Sarah Bernhardt (1896). Lorenzaccio is a French play of the Romantic period written by Alfred de Musset in 1834, set in 16th-century Florence, and depicting Lorenzino de' Medici, who killed Florence's tyrant, Alessandro de' Medici, his cousin. [1]
The poster, filling the frame with a bold composition, shows a simply-dressed young woman gazing thoughtfully at an umbel of angelica. [10] In January 1895 Mucha's Art Nouveau poster for Sarah Bernhardt as Gismonda was displayed across Paris. [11] The next year Mucha created the poster for the 20th Salon exhibition, which opened on 22 April ...
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The Czech artist Alphonse Mucha (1860–1939) arrived in Paris in 1888, and in 1895, made a poster for actress Sarah Bernhardt in the play Gismonda by Victorien Sardou in Théâtre de la Renaissance. The success of this poster led to a contract to produce posters for six more plays by Bernhardt.
Sarah Bernhardt in Gismonda. The original production starred Sarah Bernhardt as Gismonda and Lucien Guitry as Almerio. The show would go to Broadway at the Fifth Avenue Theatre on December 11, 1894, and end in February 1895. The set design was by Joseph Clare, D. Frank Dodge, Homer Emens, Richard Marston, and Ernest Albert. [5] [6]
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