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Garden furniture is often sold as a patio set consisting of a table, four or six chairs, and a parasol. A picnic table is used for the purpose of eating a meal outdoors. [4] Long chairs, referred to as chaise longue, are also common items. Recently seating furniture has been used for conversation areas using items like couches. [5]
The table-top and bench-top boards are attached to the trusses or beams using wood screws or nails. The legs can be secured with carriage bolts fastened by nuts and washers. In the context of public parks, there have traditionally been different schools of thought as to whether local or commercial timber should be used for picnic tables. [3]
Drum tables are round tables introduced for writing, with drawers around the platform. End tables are small tables typically placed beside couches or armchairs. Often lamps will be placed on an end table. Overbed tables are narrow rectangular tables whose top is designed for use above the bed, especially for hospital patients. [12]
Lorenzo Bartolini, (Italian, 1777–1850), La Table aux Amours (The Demidoff Table), Metropolitan Museum of Art, New York City, Marble sculpture. Marble has been the preferred material for stone monumental sculpture since ancient times, with several advantages over its more common geological "parent" limestone, in particular the ability to absorb light a small distance into the surface before ...
Suresnes motto inscribed on the facade of the Paul Langevin high school: “No one leaves Surenne who often does not return there.” [note 1]. The history of Suresnes (Hauts-de-Seine), a commune in the western suburbs of Paris, is closely linked to its unique geographical position between the Seine and Mont Valérien, one of the highest points in the Paris conurbation.
Neoclassicism is a revival of the many styles and spirit of classic antiquity inspired directly from the classical period, [7] which coincided and reflected the developments in philosophy and other areas of the Age of Enlightenment, and was initially a reaction against the excesses of the preceding Rococo style. [8]
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