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Music in Africa is embedded into every aspect of life and at every social transitions. [6] Many other cultures have studied African music though time, hence the mass influence that it has had on others. For instance, in December 2002, the Swiss Society for Ethnomusicology held multiple conferences in an attempt to study the music of Ghana. The ...
Sub-Saharan African music traditions. Drumming and dancing at Dakawa, Morogoro, Tanzania. In many parts of sub-Saharan Africa, the use of music is not limited to entertainment: it serves a purpose to the local community and helps in the conduct of daily routines. Traditional African music supplies appropriate music and dance for work and for ...
Traditional sub-Saharan African harmony is a music theory of harmony in sub-Saharan African music based on the principles of homophonic parallelism (chords based around a leading melody that follow its rhythm and contour), homophonic polyphony (independent parts moving together), counter-melody (secondary melody) and ostinato-variation (variations based on a repeated theme).
African drum made by Gerald Achee. Drummers in Accra, Ghana. Sub-Saharan African music is characterised by a "strong rhythmic interest" [1] that exhibits common characteristics in all regions of this vast territory, so that Arthur Morris Jones (1889–1980) has described the many local approaches as constituting one main system. [2] C. K.
Music of the African diaspora is a sound created, produced, or inspired by Black people, including African music traditions and African popular music as well as the music genres of the African diaspora, including some Caribbean music, Latin music, Brazilian music and African-American music. Music of the African diaspora was mostly refined and ...
The Westernized few, persuaded by American culture and Christianity, first denied African traditional culture, but with the increase of African nationalism, a cultural recovery occurred. The governments of most African nations encourage national dance and music groups, museums, and to a lower degree, artists and writers.
Afrobeat is a music genre with major popularity throughout West Africa. Originating in Nigeria in the early 20th century [9][10][11], [12] Afrobeat grew in popularity in the 1960s. This growth was mainly due to the considerable fame of Fela Kuti, the ‘Father of Afrobeat’, [13] and other pivotal artists such as Tony Allen and Ebo Taylor.
Call it soukous, rumba, Zairois, Congo music, or kwassa-kwassa, the pop sound emanating from Congo's capital, Kinshasa has shaped modern African culture more profoundly than any other. Africa produces music genres that are direct derivatives of Congolese Soukous. Some of the African bands sing in Lingala, the main language in the DRC.