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Bluebells of Scotland. The Bonnie Banks o' Loch Lomond. Bonnie Dundee. The Bonnie Lass o' Fyvie. The Bonny Birdy. Border ballad. The Braes o' Killiecrankie. Brochan Lom. Broom of the Cowdenknowes.
Scottish folk music (also Scottish traditional music) is a genre of folk music that uses forms that are identified as part of the Scottish musical tradition. There is evidence that there was a flourishing culture of popular music in Scotland during the late Middle Ages, but the only song with a melody to survive from this period is the "Pleugh ...
t. e. Scotland is internationally known for its traditional music, often known as Scottish folk music, [1] which remained vibrant throughout the 20th century and into the 21st when many traditional forms worldwide lost popularity to pop music. Traditional Scottish music comprises a variety of different styles such as ballads, reels, jigs and ...
Scottish folk musicians (2 C, 67 P) Scottish folk singers (69 P) Scottish studies (7 P) Scottish folk-song collectors (47 P) Scottish folk songs (13 C, 91 P)
C. Caller Herrin'. Captain Wedderburn's Courtship. Charlie Is My Darling (song) Chì mi na mòrbheanna. Clash of the Ash. Cock Up Your Beaver.
The earliest tentative evidence for the existence of the text is from the Skene Manuscript, a collection of Scottish airs written in tablature for the lute and mandora at various dates between 1615 and 1635., [9] as a different tune bearing the name Good Night, and God Be With Yow [10] The tune appeared to have been popular and variants of it ...
John Barleycorn. " John Barleycorn " is an English and Scottish folk song. [1] The song's protagonist is John Barleycorn, a personification of barley and of the alcoholic beverages made from it: beer and whisky. In the song, he suffers indignities, attacks, and death that correspond to the various stages of barley cultivation, such as reaping ...
"Ye Jacobites by Name" (Roud # 5517) is a traditional Scottish folk song which goes back to the Jacobite risings in Scotland (1688–1746). While the original version simply attacked the Jacobites from a contemporaneous Whig point of view, Robert Burns rewrote it in around 1791 to give a version with a more general, humanist anti-war, but nonetheless anti-Jacobite outlook.