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Japan Fine Arts Exhibition in 1907. The Japan Fine Arts Exhibition (日展, Nitten (Nihon bijutsu tenrankai)) is a Japanese art exhibition established in 1907. The exhibition consists of five art faculties: Japanese Style and Western Style Painting, Sculpture, Craft as Art, and Sho (calligraphy). [1]
Japanese painters used the devices of the cutoff, close-up, and fade-out by the 12th century in yamato-e, or Japanese-style, scroll painting, perhaps one reason why modern filmmaking has been such a natural and successful art form in Japan. Suggestion is used rather than direct statement; oblique poetic hints and allusive and inconclusive ...
Many Japanese-style painters were honored with awards and prizes as a result of renewed popular demand for Japanese-style art beginning in the 1970s. More and more, the international modern painters also drew on the Japanese schools as they turned away from Western styles in the 1980s.
The art-names of the artists were not produced through a consistent scheme. The artists of the second generation generally formed their art-names by taking the first kanji of their teacher's name, and adding a different second kanji (e.g. Toyoharu, whose student was Toyohiro).
The most important function of Nihon Bijutsuin is the organization and promotion of the inten (院展) biennial fine arts exhibitions. The Spring Exhibition is held in early April, for two weeks at the Mitsukoshi Department Store in Tokyo, followed by a tour around Japan for four months, at ten different locations.
The Japanese terms for vertical (portrait) and horizontal (landscape) formats for images are tate-e (縦絵) and yoko-e (横絵), respectively. Below is a table of common Tokugawa-period print sizes. Sizes varied depending on the period, and those given are approximate they are based on the pre-printing paper sizes, and paper was often trimmed ...
Lake Shore (湖畔), by Kuroda Seiki (1897) Reminiscence of the Tempyō Era (天平の面影), by Fujishima Takeji (1902). Yōga (洋画, literally "Western-style painting") is a style of artistic painting in Japan, typically of Japanese subjects, themes, or landscapes, but using Western (European) artistic conventions, techniques, and materials.
Beginning in the mid-6th century, as Buddhism was brought to Japan from Baekje, religious art was introduced from the mainland. The earliest religious paintings in Japan were copied using mainland styles and techniques, and are similar to the art of the Chinese Sui dynasty (581–618) or the late Sixteen Kingdoms around the early 5th century ...