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They went from being a mostly rural population to one that was mostly urban. "The migration of African Americans from the rural south to the urban north became a mass movement." [16] The Great Migration radically transformed Chicago, both politically and culturally. [17] From 1910 to 1940, most African Americans who migrated north were from ...
Archibald Motley painting Blues (1929). The Chicago Black Renaissance (also known as the Black Chicago Renaissance) was a creative movement that blossomed out of the Chicago Black Belt on the city's South Side and spanned the 1930s and 1940s before a transformation in art and culture took place in the mid-1950s through the turn of the century.
The Club DeLisa, [2] also written Delisa or De Lisa, was an African-American nightclub and music venue in Chicago, Illinois.Located at 5521 South State Street (State Street and Garfield Avenue, on the South Side), it was possibly the most prestigious venue in the city. [3]
Doo-wop (also spelled doowop and doo wop) is a subgenre of rhythm and blues music that originated in African-American communities during the 1940s, [2] mainly in the large cities of the United States, including New York, Philadelphia, Pittsburgh, Chicago, Baltimore, Newark, Detroit, Washington, D.C., and Los Angeles.
The Regal Theater was a night club, theater, and music venue, popular among African Americans, located in the Bronzeville neighborhood in Chicago, Illinois. [1] The theater was designed by Edward Eichenbaum, [2] and opened in February 1928. It closed in 1968 and was demolished in 1973.
The Be-bop revolt over Swing music was a sea change that was instrumental in the creation of Black Appeal radio stations. He was a fixture on the air in Chicago during the 1950s and 1960s, influencing Civil Rights and the black experience thru his on-air presence and having a large following of modern Jazz enthusiasts in that venue. [ 7 ]
Arthur Bernard Leaner (June 30, 1908 – September 6, 1978), who was known professionally as Al Benson, was an American radio DJ, music promoter and record label owner in Chicago between the 1940s and 1960s. He was particularly significant for his promotion of rhythm and blues music and black involvement in the recording industry in Chicago. [1]
In the early 1950s, WHFC's studios and transmitter were moved to 3350 S. Kedzie, in Chicago's South Lawndale community. [5] In the 1940s, 1950s, and 1960s, WHFC aired ethnic and African-American programming. [5] [6] [10] Ernie Banks hosted a program on the station in the late 1950s. [11]