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A letter written with an indelible pencil by Mohandas Karamchand Gandhi in Natal, South Africa, on 6 January 1909 to a friend, Olive Doke, mentioning Mrs. Gandhi's illness and a trip to Inanda falls. A copying pencil, also an indelible pencil or chemical pencil, [1] is a pencil whose lead contains a dye. The lead is fabricated by adding a dry ...
A print that copies another work of art, especially a painting, is known as a "reproductive print". Multiple impressions printed from the same matrix form an edition . Since the late 19th century, artists have generally signed individual impressions from an edition and often number the impressions to form a limited edition; the matrix is then ...
General purpose. Permanent markers are used for writing on metals, plastics, ceramics, wood, stone, cardboard etc. However, the mark made by them is semi-permanent on some surfaces. Most permanent marker ink can be erased from some plastic surfaces (like polypropylene and teflon) with little rubbing pressure. They can be used on ordinary paper ...
Media, or mediums, are the core types of material (or related other tools) used by an artist, composer, designer, etc. to create a work of art. [1] For example, a visual artist may broadly use the media of painting or sculpting, which themselves have more specific media within them, such as watercolor paints or marble.
Royal Medal (1838) Rumford Medal (1842) William Henry Fox Talbot (/ ˈtɔːlbət /; 11 February 1800 – 17 September 1877) was an English scientist, inventor, and photography pioneer who invented the salted paper and calotype processes, precursors to photographic processes of the later 19th and 20th centuries.
Hand-colouring is also known as hand painting or overpainting. Typically, watercolours, oils, crayons or pastels, and other paints or dyes are applied to the image surface using brushes, fingers, cotton swabs or airbrushes. Hand-coloured photographs were most popular in the mid- to late-19th century before the invention of colour photography ...
Edition (printmaking) In printmaking, an edition is a number of prints struck from one plate, usually at the same time. This may be a limited edition, with a fixed number of impressions produced on the understanding that no further impressions (copies) will be produced later, or an open edition limited only by the number that can be sold or ...
The salt print was the dominant paper-based photographic process for producing positive prints (from negatives) from 1839 until approximately 1860. The salted paper technique was created in the mid-1830s by English scientist and inventor Henry Fox Talbot. He made what he called "sensitive paper" for "photogenic drawing" by wetting a sheet of ...
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