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The choice of paint color on the walls in Victorian homes was said to be based on the use of the room. Hallways that were in the entry hall and the stair halls were painted a somber gray so as not to compete with the surrounding rooms. Most people marbleized the walls or the woodwork.
A sconce or wall light is a decorative light fixture that is mounted to a wall. [1] The sconce is a very old form of fixture, historically used with candles and oil lamps . They can provide general room lighting, and are common in hallways and corridors, but they may be mostly decorative. [ 1 ]
The main purpose of wallpaper analysis is to identify what wallpaper may have existed within a structure, which provides detail on the site's interior decor scheme during a point in history. [23] Wallpaper and paint analysis become more intertwined when looking at historic paint sample layers, which could also include wallpaper and wallpaper glue.
Grand Neoclassical interior by Robert Adam, Syon House, London Details for Derby House in Grosvenor Square, an example of the Adam brothers' decorative designs. The Adam style (also called Adamesque or the Style of the Brothers Adam) is an 18th-century neoclassical style of interior design and architecture, as practised by Scottish architect William Adam and his sons, of whom Robert (1728 ...
The Decoration of Houses, a manual of interior design written by Edith Wharton with architect Ogden Codman, was first published in 1897. In the book, the authors denounce Victorian-style interior decoration and interior design, especially rooms decorated with heavy window curtains, Victorian bric-a-brac and overstuffed furniture. They argue ...
An exterior door leads to the hall, the larger of the two rooms and the one in the front of the house. Behind the hall is the parlor. The hall may have been used for cooking, while the parlor was the general living space and bedroom. [4] In colonial America, hall-and-parlor houses were two rooms wide and one deep.
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