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N1 is a 24-hour cable news channel launched on 30 October 2014. The channel has headquarters in Ljubljana, Zagreb, Belgrade and Sarajevo and covers events happening in Central and Southeastern Europe. [4]
Some 67% of households are provided with pay television services (i.e. 38.7% cable television, 16.9% IPTV, and 10.4% satellite). [5] There are 90 pay television operators (cable, IPTV, DTH), largest of which are SBB (mainly cable) with 48% market share, Telekom Srbija (mts TV) with 25%, followed by PoštaNet with 5%, and Ikom and Kopernikus with 4% and 3%, respectively.
The Yellow Fortress or Yellow Bastion (Bosnian, Croatian and Serbian: Žuta Tabija, Serbian Cyrillic: Жута Табија) is a cannon fortress at the entrance of the "Walled City of Vratnik".
2 [90] 2003: Jakov Sistem Sport equipment. Name Stores First store in Serbia Parent; Planeta sport: 118 [91] 2014: Planeta sport Đak sport: 65 [92] Đak sport Sport ...
Radio Belgrade 2 shares the same radio waves as Radio Belgrade 3 and is broadcast from 6:00 until 20:00. Radio Belgrade 3 focuses on classical music and radio dramas. Radio Belgrade 3 shares the same radio waves as Radio Belgrade 2 and broadcasts from 20.00 until 06.00. Radio Belgrade 202 broadcasts short news segments, rock and pop music.
It was the first media of this kind to emerge in Serbia and has exerted major influence on public life, repeatedly reaching over one million views on YouTube. [5] Tešanović considers himself a Serbian nationalist and has stated that Greater Serbia is a normal aspiration of the Serbian people. [citation needed]
Zuta soon became a first team player during his stint at the club and won Croatian league and cup in 2016–17 season. Zuta also became popular figure to the supporters of Rijeka and was praised on various memes on social media. [4] On 8 January 2019 Zuta signed for Turkish Süper Lig club Konyaspor. [5]
Kako (ni)je propao rokenrol u Srbiji (trans. How Rock 'n' Roll in Serbia (Didn't) Came to an End ) is a book by Duško Antonić, published in 2021. The book features a number of Antonić's essays on Serbian rock scene , as well as a list of 100 best Serbian rock music albums published after the dissolution of SFR Yugoslavia .