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It is believed that the elephant guards one of the points of compass. [5] Airavata also stands at the entrance to Svarga, Indra's palace. In addition, the eight guardian deities who preside over the points of the compass each sit on an elephant (world elephant). Each of these deities has an elephant that takes part in the defense and protection ...
Elephant fight, Deccan, India, 19th century, Salar Jung Museum. The composite figures are a combination of humans and animals, including a Brontosaurus on the trunk of elephant on the right. Composite miniature painting is a painting style which was prevalent in India and Persia. In this style, painted representations of different animals or ...
Govardhan, Emperor Jahangir visiting the ascetic Jadrup, c. 1616–1620 [1]. Mughal painting is a South Asian style of painting on paper made in to miniatures either as book illustrations or as single works to be kept in albums (), originating from the territory of the Mughal Empire in the Indian subcontinent.
Yali (IAST: Yāḷi), [1] (Tamil: யாழி) also called Vyāla (Sanskrit: व्याल), [2] is a Hindu mythological creature, portrayed with the head and the body of a lion, the trunk and the tusks of an elephant, and sometimes bearing equine features. [3] Images of the creature occur in many South Indian temples, often sculpted onto ...
An image of the elephant keeper in India riding his elephant from Tashrih al-aqvam (1825). Samponiet Reserve, Aceh Mahout with a young elephant at Elephant Nature Park, Thailand A young elephant and his mahout, Kerala, India. A mahout is an elephant rider, trainer, or keeper. [1] Mahouts were used since antiquity for both civilian and military use.
Ever since the Stone Age, when elephants were represented by ancient petroglyphs and cave art, they have been portrayed in various forms of art, including pictures, sculptures, music, film, and even architecture. Elephant scalp worn by Demetrius I of Bactria (205–171 BC), founder of the Indo-Greek Kingdom, as a symbol of his conquest.
Mauryan art is art produced during the period of the Mauryan Empire, the first empire to rule over most of the Indian subcontinent, between 322 and 185 BCE. It represented an important transition in Indian art from the use of wood to stone. It was a royal art patronized by Mauryan kings, most notably Ashoka. Pillars, stupas and caves are its ...
Rembrandt benefitted from this global exposure that enabled him to buy "drawings and prints from the principal masters of the whole world". His inventory included Chinese, Turkish and Mughal Indian artefacts. The latter was the inspiration for his late-career Mughal drawings, which marked a significant departure from his usual style and subjects.
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