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The universal class of needles are used on domestic machines. "Universal" refers to the shape of the needle shank and length of the needle rather than the actual sewing application or point. The most notable feature of universal needles is the flat face on the needle shank which helps to ensure the needle is inserted correctly.
A Singer 1851 sewing machine. Singer's original design was the first practical sewing machine for general domestic use. It incorporated the basic eye-pointed needle and lock stitch, developed by Elias Howe, who won a patent-infringement suit against Singer in 1854.
Singer made an attachment similar to its buttonholer, and using a similar needle-clamp-powered locomotion, in order to confer some zigzagging ability on its straight-stitch machines. Of the variety of "Singer Automatic Zigzagger" attachments produced over the years, two are compatible with 27-series machines: Singer part numbers 160985 and 161102.
A vibrating shuttle is a bobbin driver design used in home lockstitch sewing machines during the second half of the 19th century and the first half of the 20th century. It supplanted earlier transverse shuttle designs, but was itself supplanted by rotating shuttle designs.
Sargent went on to record as a solo artist, and is currently lead singer for the band Twinemen with former members of Face to Face and Morphine. Beard is a music booker at Toad and Lizard Lounge in Cambridge, Massachusetts, where he plays with Session Americana. Kimball plays guitar as a member of Bob Dylan's band in the Never Ending Tour.
It also peaked at number 7 on the Adult Contemporary chart and at number 25 on the Cashbox music chart. [3] The song also charted on the Canadian Adult Contemporary chart, reaching number 16, [4] and in Ireland, where it peaked at number 23. Pearl also wrote a hit for Dr. Hook ("Girls Can Get It") and one for Crystal Gayle ("You Never Gave Up ...
The second version was released in January 1974 as a single and was Ronstadt's first country chart hit, peaking at number 20. This version also hit the Hot 100, entering the chart on April 6, 1974, [5] and peaking at number 67. Sandy Denny recorded the song on her final studio album, Rendezvous, released in 1977.
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