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Teng Ming-Tun (鄧明墩) was born in Taichung City, Taiwan Province, in 1962.He is a descendant of the 16th generation of Taiwanese ancestor Teng Yanba(鄧彥拔) [4] Descendants whose names bear the character "Tun"(敦).
This painting was made in honor of Gustavo Bentencita, a painter who died on May 16, 1876. The artist was mourning for those past 12 years. Currently, this painting belongs to the San Diego Art Museum 02: 1888–1890 – Sappho (oil on canvas, 39 cm × 31.6 cm) Representation of the Greek lyric poet born on the island of Lesbos.
Bharat Mata is a work painted by the Indian painter Abanindranath Tagore in 1905. However, the painting was first painted by Bankim Chandra Chattopadhyay in the 1870s. The work depicts a saffron-clad woman, dressed like a sadhvi, holding a book, sheaves of paddy, a piece of white cloth, and a rudraksha garland (mala) in her four hands.
By the dawn of the 19th century, a long and gradual paradigm shift was complete, from the Gothic when artists were viewed as craftsmen in the service of the church and monarchies, to the idea of art for art's sake, where the ideas and visions of the individual artist were held in the high regard, with patronage from an increasingly literate ...
Gwion Gwion (Tassel) figures wearing ornate costumes. The Gwion Gwion rock paintings, Gwion figures, Kiro Kiro or Kujon (also known as the Bradshaw rock paintings, Bradshaw rock art, Bradshaw figures and the Bradshaws) are one of the two major regional traditions of rock art found in the north-west Kimberley region of Western Australia.
In these painting each raga is personified by a colour, mood, a verse describing a story of a hero and heroine (nayaka and nayika), it also elucidates the season and the time of day and night in which a particular raga is to be sung; and finally most paintings also demarcate the specific Hindu deities attached with the raga, like Bhairava or ...
Some artworks have had their museum label names changed as new art history research emerges [10] or as a modification of an offensive or pejorative name. [11] Curating institutions are responsible for thorough documentation of all title variants, including translations of an artwork title into one or more languages. [12]
The gallery where the work is displayed is mentioned second, followed by the name of the actual superordinate collection owning the work (on first appearance in the list only). The inventory number of the object in brackets is (ideally) linked to the entry in the online catalogue of the collection if available.
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