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The series is set in Berlin during the latter years of the Weimar Republic, beginning in 1929.It follows Gereon Rath (Volker Bruch), a police inspector on assignment from Cologne who is on a secret mission to dismantle an extortion ring, and police clerk Charlotte Ritter (Liv Lisa Fries), who aspires to become a police inspector.
The film is about the lives of LGBT people in the Weimar Republic and during the reign of Nazi Germany. The documentary film explores the titular Eldorado , a queer night club in Berlin . The film discusses queer figures in Germany during the 1920s and 1930s, such as Ernst Röhm , Magnus Hirschfeld , Gottfried von Cramm , Manasse Herbst ...
The film or miniseries must be concerned with World War II (or the War of Ethiopia and the Sino-Japanese War) and include events which feature as a part of the war effort. For short films, see the List of World War II short films. For documentaries, see the List of World War II documentary films and the List of Allied propaganda films of World ...
These movies only scratch the surface of the countless number made about the momentous event, but remind us of the horrors and sacrifices made during the devastating global conflict. 20.
Netflix documentary that examines how and why thousands of ordinary Germans carried out mass atrocities as members of Nazi police squads during the Holocaust. 2022 Tarłów, Poland Without the Right to Live: Waldemar Kowalsk Presented by Muzeum II Wojny Światowej w Gdańsku (World War II Museum in Gdansk).
The Heroes of Telemark is a 1965 British war film directed by Anthony Mann based on the true story of the Norwegian heavy water sabotage during the Second World War from Skis Against the Atom, the memoirs of Norwegian resistance soldier Knut Haukelid.
This list of World War II films (1950–1989) contains fictional feature films or miniseries released since 1950 which feature events of World War II in the narrative. The entries on this list are war films or miniseries that are concerned with World War II (or the Sino-Japanese War) and include events which feature as a part of the war effort.
A quantitative comparison of the percentage of German movies screened vs. foreign movies screened shows the following numbers: in the last year of the Weimar Republic the percentage of German movies was 62%; by 1939 it had risen to 77% while the number of cinema visits increased by the factor 2.5 from 1933 to 1939.