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Balto-Finnic music is a category of music of Balto-Finnic people, that overlaps with both Nordic folk music of Nordic countries and Baltic folk music of Baltic states. Finland's musical ties are primarily to the Balto-Finnic peoples of Russia and Estonia (Cronshaw, 91). Runic singing was practiced throughout the area inhabited by these peoples.
The earliest known Danish traditional music comes from the handwritten tune collections of musicians, such as the large collection of tunes by Rasmus Storm (ca. 1760). ). Collection of Danish folkmelodies began in the early 19th century, and figures such as Svend Grundtvig (1824–83), A. P. Berggreen (1801-80) and Evald Tang Kristensen (1843-1929) published significant collections of tunes and
But urban audiences were slow to gain an appreciation and understanding of traditional (rural) music. Romanticism style dominated Norwegian music "until well into the 20th century, whether expressed through modifications to the national Romantic idiom of Grieg or through a more classical/international line" [1] like Catharinus Elling or Halfdan ...
Sweden was the last of the Scandinavian countries to be Christianised, with pagan resistance apparently strongest in Svealand, where Uppsala was an old and important ritual site as evidenced by the tales of Uppsala temple. [1] [2] Like the rest of Scandinavia, Sweden had significant artistic, musical and literary traditions during the Viking ...
Swedish folk music is a genre of music based largely on folkloric collection work that began in the early 19th century in Sweden. [1] The primary instrument of Swedish folk music is the fiddle . Another common instrument, unique to Swedish traditions, is the nyckelharpa .
Music in Sweden is a vital part of Swedish culture, as evidenced by the national success of musical shows like Allsång på Skansen and Melodifestivalen. [1] Swedish music has also included more modern and influences. On a per capita basis, Sweden is the world's most successful exporter of music. [2]
Nyckelharpa, Swedish for 'key-harp (lit.) ', meaning roughly "keyed fiddle" (Swedish: [ˈnʏ̂kːɛlˌharːpa], plural nyckelharpor, compare tagelharpa), is a "keyed" bowed chordophone, primarily originating from Sweden in its modern form, but with its roots in Medieval Europe.
The archaeological excavation at Sutton Hoo in 1939, and the correct reconstruction of the lyre in 1970, brought about the realisation that the lyre was "the typical early Germanic stringed instrument." [2] The Museum of London Archaeology describes the lyre as the most important stringed instrument in the ancient world. [3]