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In China, Japan's use of propaganda films was extensive. After Japan's invasion of China, movie houses were among the first establishments to be reopened. [3] Most of the materials being shown were war news reels, Japanese motion pictures, or propaganda shorts paired with traditional Chinese films. [3]
Internally, the Japanese propaganda machine displayed images of the war through the utilization of a variety of forms of visual media. The Ueno Panorama Hall and the Nippon Panorama Hall displayed images of the war to mold the image of the war in the minds of the Japanese people. [6]
Among the factors that led to the emergence of propaganda kimono, three stand out: the introduction of modern textile manufacturing and printing equipment into Japan in the late 19th century, [5] the social and political impetus for Japan to modernize, [6] and, following the Japanese invasion of Manchuria in 1931, political desire to rally support for colonial expansion. [3]
Momotaro: Sacred Sailors (桃太郎 海の神兵, Momotarō: Umi no Shinpei) [2] is the first Japanese feature-length animated film. [3] It was directed by Mitsuyo Seo, who was ordered to make a propaganda film for World War II by the Japanese Naval Ministry. Shochiku Moving Picture Laboratory shot the 74-minute film in 1944 and screened it on ...
The trio was part of Japan's cultural propaganda efforts during the Second World War, aimed at promoting the Greater East Asia Co-Prosperity Sphere—a concept that sought to create a bloc of Asian nations ruled by Japan, ostensibly free from Western imperialism due to being controlled by the Japanese colonial empire. [1]
Walter Kaner (May 5, 1920 – June 26, 2005) was a journalist and radio personality who broadcast using the name Tokyo Mose during and after World War II. Kaner broadcast on U.S. Army Radio, at first to offer comic rejoinders to the propaganda broadcasts of Tokyo Rose and then as a parody to entertain U.S. troops abroad.
Japanese propaganda films (1 C, 8 P) Pages in category "Propaganda in Japan" The following 12 pages are in this category, out of 12 total.
[20] [5] Japanese propaganda was useful in mobilizing Japanese citizens for the war effort, convincing them Japan's expansion was an act of anti-colonial liberation from Western domination. [21] The booklet Read This and the War is Won —for the Japanese Army—presented colonialism as an oppressive group of colonists living in luxury by ...