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Producer (s) Gus Dudgeon. " Funeral for a Friend/Love Lies Bleeding " is a medley of two songs written by English musician Elton John and songwriter Bernie Taupin, and performed by John. It is the opening track of the 1973 double album Goodbye Yellow Brick Road. The first part, "Funeral for a Friend", is an instrumental created by John while ...
Contents. Can You Feel the Love Tonight. " Can You Feel the Love Tonight " is a song from Disney's 1994 animated feature film The Lion King [ 1 ] composed by English musician Elton John with lyrics by Tim Rice. [ 2 ] Released as a single in May 1994, the song was a hit in the UK, peaking at number 14 on the UK Singles Chart, and achieved ...
Tumbleweed Connection is the third studio album by English singer-songwriter Elton John. It was recorded at Trident Studios, London, in March 1970, and released in October 1970 in the UK and January 1971 in the US. It is a concept album based on country and western and Americana themes. All songs are written by John and Bernie Taupin, with the ...
Philadelphia Freedom (song) " Philadelphia Freedom " is a song by English musician Elton John and songwriter Bernie Taupin. It was released as a single on 28 February 1975, [2] credited to the Elton John Band. The song was the fourth of John's six number-one singles in the US during the early and mid-1970s, which saw his recordings dominating ...
Writing songs with Elton John. Even as a kid growing up in the Pacific Northwest in the ‘80s, Shears found himself drawn to Tammy Faye and her story.
Love Songs is a compilation album by English musician Elton John. It was released on 6 November 1995 by John's own label The Rocket Record Company, in conjunction with Mercury Records, [4] and in North America by MCA Records on 24 September 1996. In the US, it was certified gold in December 1996, platinum in March 1997, double platinum in ...
5. “Fly Me to The Moon” by Frank Sinatra (1964) The opening lines, “Fly me to the moon, let me play among the stars, let me see what spring is like on Jupiter and Mars…” is enough to get ...
Rosenthal notes its lyrics as conflicting with John's "religious skepticism", while also opining that the song "sounds not only right for church, but as if it had already been played to death for decades." [20] Krochmal describes the track as "a musically beautiful ballad that makes almost no sense in the context of Elton John's life in 1980." [25]