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Floating Clouds (sometimes called Flying Saucers by the artist) [1] is a work of art by American sculptor Alexander Calder, located in the Aula Magna of the University City of Caracas in Venezuela. The 1953 work comprises many 'cloud' panels that are renowned both artistically and acoustically. The piece is seen as "one of Calder's most truly ...
An acoustic board is a board made from sound absorbing materials, designed to provide sound insulation. [3] [4] Between two outer walls sound absorbing material is inserted and the wall is porous. Thus, when sound passes through an acoustic board, the intensity of sound is decreased. The loss of sound energy is balanced by producing heat energy.
Annie W. S. Siebert (sister) Wallace Clement Sabine (June 13, 1868 – January 10, 1919) was an American physicist who founded the field of architectural acoustics. Sabine was the architectural acoustician of Boston's Symphony Hall, widely considered one of the two or three best concert halls in the world for its acoustics. [1]
Acoustic plaster. Acoustic plaster is plaster which contains fibres or aggregate so that it absorbs sound. Early plasters contained asbestos, but newer ones consist of a base layer of absorptive substrate panels, which are typically mineral wool, or a non-combustible inorganic blow-glass granulate. A first finishing layer is then applied on top ...
Architectural acoustics (also known as building acoustics) is the science and engineering of achieving a good sound within a building and is a branch of acoustical engineering. [1] The first application of modern scientific methods to architectural acoustics was carried out by the American physicist Wallace Sabine in the Fogg Museum lecture room.
The acoustical cloud is a set of 160 rotating acoustic panels suspended from the Moda Center ceiling, intended to recreate the roar of noise that made the old Memorial Coliseum one of the loudest buildings in the NBA. One side of each 10 feet by 10 feet (3 m by 3 m) panel reflects sound, while the other side absorbs sound.
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