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Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
Frank Raymond "F. R." Leavis CH (/ ˈ l iː v ɪ s / LEE-vis; 14 July 1895 – 14 April 1978) was an English literary critic of the early-to-mid-twentieth century. He taught for much of his career at Downing College, Cambridge, and later at the University of York.
Within his argument he adds D.H. Lawrence to the pantheon of great novelists in English, though Leavis discusses Lawrence more in later works. Leavis disparaged Dickens except for his novel Hard Times, as lacking the "mature standards and interests" found in the works of Henry James. There was a similar contrast on the aspect of using melodrama ...
An extended metaphor, also known as a conceit or sustained metaphor, is the use of a single metaphor or analogy at length in a work of literature. It differs from a mere metaphor in its length, and in having more than one single point of contact between the object described (the so-called tenor) and the comparison used to describe it (the vehicle).
Renaissance literature refers to European literature which was influenced by the intellectual and cultural tendencies associated with the Renaissance.The literature of the Renaissance was written within the general movement of the Renaissance, which arose in 14th-century Italy and continued until the mid-17th century in England while being diffused into the rest of the western world. [1]
In comparison with other 'political' forms of criticism, there has been relatively little dispute about the moral and philosophical aims of ecocriticism, although its scope has broadened from nature writing, romantic poetry, and canonical literature to take in film, television, theatre, animal stories, architectures, scientific narratives and an extraordinary range of literary texts.
In the 19th and early 20th centuries the focus was on the Germanic and pagan roots that scholars thought they could detect in Old English literature. [86] Because Old English was one of the first vernacular languages to be written down, 19th-century scholars searching for the roots of European "national culture" (see Romantic Nationalism) took ...
We can find an example of this in plays written by Brecht, which are "open" in the same way that an argument between two people is open: both sides (the actors and the viewers) want and anticipate a solution at the end, but no solution ever comes, leaving us to wander to find meaning.