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David Timothy Dunn was born on May 25, 1984, in Midland, Texas, to father Tim Dunn and mother Terri Lee Dunn (née, Spannaus) [3] where he was raised, and he went on to study engineering at Texas Tech University. [4] [5] He graduated with honors. [1] While in college, he got his start as an acoustic singer-songwriter.
Can't Hold Back is the sixth studio album by American rock musician Eddie Money. The album was released on August 8, 1986, by Columbia Records . It contains one of Money's biggest hits, " Take Me Home Tonight " which helped bring both himself and Ronnie Spector back to the spotlight.
[9] [5] He was also a songwriter for Eddie Money who covered Billy Satellite's "I Wanna Go Back" on his 1986 album Can't Hold Back. [7] Money covered Billy Satellite's, "Satisfy Me" under the title "When You Gonna Satisfy Me" on his 1999 album, Ready Eddie. [2] Later, Byrom formed Big House, a country-soul band that released two records.
"I Wanna Go Back" is a 1984 song by American rock band Billy Satellite, written by band members Monty Byrom, Danny Chauncey, and Ira Walker, that achieved major popularity when recorded by Eddie Money in 1986. Another version was recorded by former Santana/Journey keyboardist/singer Gregg Rolie for his self-titled 1985 debut solo album.
This album featured the song "I Wanna Go Back", which later became a hit for Eddie Money, and included contributions from Carlos Santana, Peter Wolf, Neal Schon, and Craig Chaquico. A second solo effort, Gringo, was released in 1987. Rolie formed the Storm in 1991 with Steve Smith and Ross Valory of Journey. The band also included singer Kevin ...
"When I Come Back (I Wanna Be My Dog)" – Greg Holland (Al Anderson) "When Love Looks Back at You" – Hal Ketchum (Jess Leary) "When the Lights Go Down" – Faith Hill (Rivers Rutherford, Jeffrey Steele) "When We Get There" – Carter's Chord (Sarah Buxton) "When You Said You Loved Me" – Jeff Carson
Berlin's deal with MGM for the package of songs that included "I Want to Go Back to Michigan" was $500,000 plus a percentage of box office receipts, which was an unusually advantageous contract for a songwriter and amounted to twenty percent of the film's total budget of $2.5 million. [11] The film won the 1948 Academy Award for Best Musical Score.
Written by the group's lead vocalist Ray Dorset and produced by Barry Murray, [2] it was the band's fifth single. The song made 21 in the UK Singles Chart in April 1972 staying in the charts for eight weeks.