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Greatest Hits is a greatest hits album by British-American rock band Fleetwood Mac, released on 21 November 1988 by Warner Bros. Records. [3] It covers the period of the band's greatest commercial success, from the mid-1970s to the late-1980s.
The 1967–1969 era Blue Horizon albums (Fleetwood Mac, Mr. Wonderful, The Pious Bird of Good Omen, and Fleetwood Mac in Chicago) and the 1971 outtakes album The Original Fleetwood Mac have been remastered and reissued on CD, as have the 1975–1987 era Warner Bros. studio albums (Fleetwood Mac, Rumours, Tusk, Mirage, and Tango in the Night).
While it became the band's first studio album to miss the charts in the UK, it helped to expand the band's appeal in the United States. In Europe, CBS released Fleetwood Mac's first Greatest Hits album in late 1971. In 1972, six months after the release of Future Games, the band released their sixth studio album, Bare Trees.
The Very Best of Fleetwood Mac is an enhanced compilation album released by British-American rock band Fleetwood Mac in 2002 to promote their then-upcoming album Say You Will (2003). It was released as a double album in the US on 12 October 2002 and as a single disc in the UK.
Fleetwood Mac is the tenth studio album by the British-American rock band Fleetwood Mac, released on 11 July 1975 in the United States and on 1 August 1975 in the United Kingdom [7] by Reprise Records. It is the band's second eponymous album, the first being their 1968 debut album, and is sometimes referred to by fans as the White Album. [8]
It was not until the 1988 Fleetwood Mac Greatest Hits compilation was released that the 6:22 version of the song became available on compact disc. [18] There is also a version known as "the cleaning lady" edit, so-called as Nicks is heard at the beginning of the demo recording, "I don't want to be a cleaning lady!"
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Drummer Mick Fleetwood had originally suggested that the band release a live album at the time of the Rumours tour, although the band decided against it, with recording engineer Richard Dashut arguing that it would interfere with the band's in-studio identity. The band still recorded over 400 shows from 1975-79 in case they changed their minds.