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Medieval aesthetics refers to the general philosophy of beauty during the Medieval period.Although Aesthetics did not exist as a field of study during the Middle Ages, influential thinkers active during the period did discuss the nature of beauty and thus an understanding of medieval aesthetics can be obtained from their writings.
Cosmetics are also mentioned in the book of Esther, where beauty treatments are described. Both sexes used cosmetics throughout the pre-Islamic Near East, going back to the civilizations of ancient Mesopotamia, Ancient Egypt, and Iran. [13] Eye makeup in the form of kohl, were used in Persia and what today is Iran from ancient periods. [14]
Cosmetology (from Greek κοσμητικός, kosmētikos, "beautifying"; [1] and -λογία, -logia) is the study and application of beauty treatment.Branches of specialty include hairstyling, skin care, cosmetics, manicures/pedicures, non-permanent hair removal such as waxing and sugaring, and permanent hair removal processes such as electrology and intense pulsed light (IPL).
A display of Victorian Era Cosmetics. Victorian-era cosmetics were cosmetic products used during the Victorian age.Victorian cosmetics sometimes used toxic ingredients such as lead, mercury, arsenic, and ammonia.
Galvanic treatment in the beauty industry has been described since at least the 1970s [15] and earlier. [13] Sometimes called galvanism, the treatment aims to improve the skin in two ways: (1) cleansing: a process called desincrustation, and (2) nourishing the skin condition, through an electro-chemical process [16] called iontophoresis [17] (also called ionisation). [18]
Loose face powder in three different shades. Face powder is a cosmetic product applied to the face to serve different functions, typically to beautify the face. Originating from ancient Egypt, [citation needed] face powder has had different social uses across cultures and in modern times, it is typically used to set makeup, brighten the skin and contour the face.
Commodities are No Country for Old Men By Richard Thomas “Never under-estimate the predictability of stupidity” says Bullet-Tooth Tony from Guy Ritchie’s
Vintage advert for the Milady Décolleté Gillette women's safety razor – 1916. For centuries, hair removal has long shaped gender roles, served to signify social status and defined notions of femininity and the ideal "body image".
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